King Alfonso II founded the Monastery of San Paio de Antealtares in the year 830. It fell into decay at the end of the 13th century, and in ruins, the Catholic Monarchs eliminated it and included it into S. Martín Pinario. In 1495, Gómez de Marzoa´s efforts to set up a college for poor students led to the monastery becoming Compostela´s first school and the origin of Galicia´s Renaissance University. The Order of benedictine nuns occupied it as of 1499.
The present-day building, in baroque style, appeared between 1599 and 1744. Fernández Lechuga the closing wall of La Quintana as a large, undecorated canavas, gicving the sensation of perfection and grandeur; Velasco Agüero built the other walls of the cloister and doorway facade, with a monumental doorwayframed by four giant order Doric columns; Fernando de Casas y Novoa extended the building to the Carros Gateway, finished by Lucas Ferro Caaveiro and known as 'Puerta de la Borriquita' (the Donkey Gateway), thanks to the relief image of the Flight to Egypt (Francisco de Lens, circa. 1750). Church (Friar Gabriel de las Casas, 1703-07) in cut-stone granite and tiled, two-sided roof. Greek cross ground plan extended at the western end to accommodate the choir. Simple, monumental facade with the figure of St. Pelayo Martyr. Interior covered with a dome over pendentives. Main retable by Castro Canseco.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.