Top Historic Sights in Ghent, Belgium

Explore the historic highlights of Ghent

Ghent City Museum

The Ghent City Museum (STAM) exposes the city history. With respect to the collection that is shown, the history of this museum goes back to 1833, the year in which the Oudheidkundig Museum van de Bijloke in Ghent was founded. In 1928 the museum was situated in the Bijloke abbey - this led to the name Bijlokemuseum. With the Bijloke collection as base and the Bijloke abbey and Bijloke monastery as buildings, the STAM fun ...
Founded: 2010 | Location: Ghent, Belgium

Museum of Fine Arts

The Museum of Fine Arts in Ghent, Belgium holds a large permanent collection of art from the Middle Ages until the mid-20th century. The collection focuses on Flemish Art (masterpieces from Hieronymus Bosch, Peter Paul Rubens and Anthony van Dyck) but also has several European - especially French - paintings. It also has a large amount of sculptures. The building was designed by city architect Charles van Rysselberghe aro ...
Founded: 1900 | Location: Ghent, Belgium

Belfry of Ghent

The 91-metre-tall belfry is one of three medieval towers that overlook the old city centre of Ghent, the other two belonging to Saint Bavo Cathedral and Saint Nicholas" Church. Its height makes it the tallest belfry in Belgium. The belfry of Ghent, together with its attached buildings, belongs to the set of belfries of Belgium and France inscribed on UNESCO"s World Heritage List. Construction of the tower began in 1313 a ...
Founded: 1313 | Location: Ghent, Belgium

St Michael's Church

Saint Michael"s Church was built in a late Gothic style. Documents from 1105 testify to the existence on the site of a chapel dedicated to St. Michael which was subordinate to another parish. The building was twice destroyed by fire early in the 12th century and rebuilt. From 1147 it was recognized as an independent parochial church. Construction of the current late Gothic church was probably commenced in 1440, and ...
Founded: c. 1440 | Location: Ghent, Belgium

St Bavo's Cathedral

The Saint Bavo Cathedral is based upon the Chapel of St. John the Baptist, a primarily wooden construction; it was consecrated in 942 by Transmarus, Bishop of Tournai and Noyon. Traces of this original structure are evident in the cathedral"s crypt. The chapel was subsequently expanded in the Romanesque style in 1038. Some traces of this phase of expansion are still evident in the present day crypt. In the subsequen ...
Founded: 11-16th century | Location: Ghent, Belgium

Gravensteen

The Gravensteen is a castle in Ghent originating from the Middle Ages. The name means 'castle of the counts' in Dutch. Arnulf I (918–965), Count of Flanders, was the first to fortify this place, building a medieval bastion on this high sand dune, naturally protected by the river Leie and its marshy banks. This bastion consisted of a central wooden building and several surrounding buildings, also in wood. ...
Founded: 1180 | Location: Ghent, Belgium

St Nicholas' Church

St. Nicholas" Church is one of the oldest and most prominent landmarks in Ghent. Begun in the early 13th century as a replacement for an earlier Romanesque church, construction continued through the rest of the century in the local Scheldt Gothic style (named after the nearby river). Typical of this style is the use of blue-gray stone from the Tournai area, the single large tower above the crossing, and the slender t ...
Founded: 13th century | Location: Ghent, Belgium

St. Peter's Abbey

St. Peter"s Abbey is a former Benedictine abbey in Ghent, now a museum and exhibition centre. St. Peter"s was founded in the late 7th century by Amandus, a missionary sent by the Frankish kings to Christianize the pagan inhabitants of the region, who founded two monasteries in the area, St. Bavo"s, and St. Peter"s on the Blandijnberg. During the winter of 879-80, the abbey was raided and plundered by t ...
Founded: 7th century AD | Location: Ghent, Belgium

Drongen Abbey

Drongen Abbey is a monastic complex on the River Leie in Drongen, a part of the city of Ghent. Formerly a Premonstratensian abbey, since 1837 the premises have belonged to the Jesuits. In the Middle Ages there were two legends regarding the abbey"s foundation in the 7th century. According to one, the abbey was built by a certain Basinus, king of Basotes; according to the other, its founder was Saint Amandus, who als ...
Founded: 7th century/1638 | Location: Ghent, Belgium

Geeraard de Duivelsteen

Geeraard de Duivelsteen is a Gothic building in Ghent, Belgium. It served as defense of the Portus Ganda, the city's port. The building was built in the 13th century and was named after the knight Geeraard Vilain (1210-1270), second son of the fifteenth viscount of Gent, Zeger III of Ghent. Vilain's nickname was Geeraard de Duivel ('Geerard the Devil'), which was based on his dark complexion and hair color. In the 14th c ...
Founded: 13th century | Location: Ghent, Belgium

Nieuwenbosch Abbey Ruins

Nieuwenbosch Abbey was a Cistercian community established in 1215 in Lokeren. The original site was unsuitable because of the poor water supply and the nuns moved to the site in Heusden in 1257, when the name became 'Nieuwenbosch'. The abbey was stormed and largely ruined in 1579 by the Iconoclasts, and the nuns moved for greater security inside the city of Ghent and built new premises in what is now the Lange V ...
Founded: 1257 | Location: Ghent, Belgium

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King"s Garden, the Island Garden, Parterre Garden and the Prince"s Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.