The Ghent City Museum (STAM) exposes the city history. With respect to the collection that is shown, the history of this museum goes back to 1833, the year in which the Oudheidkundig Museum van de Bijloke in Ghent was founded. In 1928 the museum was situated in the Bijloke abbey - this led to the name Bijlokemuseum.
With the Bijloke collection as base and the Bijloke abbey and Bijloke monastery as buildings, the STAM functions as a modern-day heritage forum. Parts from other collections were added to the Bijloke collection. In connection to the historical buildings a new entrance building was constructed, designed by Ghent's city architect Koen Van Nieuwenhuyse.
The main circuit of the Ghent City Museum serves as a museal and multimedial introduction to a visit to the city of Ghent. The past of the town is illustrated, but also today's life and the future are discussed. The temporary STAM collections describe the phenomenon of 'urbanity' by means of contemporary issues. STAM refers the visitor to the city itself and to Ghent's cultural heritage.
Eyecatching parts of the museum are the sky picture of Ghent (300 m² large) on which the visitors can walk around, and software with which Ghent can be viewed in detail and over the course of four centuries. In the Bijloke abbey that can be accessed through a passerelle in glass, the history of the city is told by means of three hundred objects. Views on Ghent is another multimedial application: a screen shows a city view from the year 1534, floor-plans from 1614 and 1912 and a sky picture from the present. There is also a room for temporary exhibitions.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.