Drongen Abbey is a monastic complex on the River Leie in Drongen, a part of the city of Ghent. Formerly a Premonstratensian abbey, since 1837 the premises have belonged to the Jesuits.
In the Middle Ages there were two legends regarding the abbey's foundation in the 7th century. According to one, the abbey was built by a certain Basinus, king of Basotes; according to the other, its founder was Saint Amandus, who also founded in Ghent during the same period St. Peter's Abbey and St. Bavo's Abbey. The first occupants were secular canons. The Normans destroyed the abbey in 853 but under Baldwin II, Count of Flanders (879–918), lord of Drongen, it was rebuilt.
In 1136 Iwein, Count of Aalst, lord of Waas, Drongen and Liedekerke, founded a Premonstratensian abbey at Salegem. Two years later, in 1138, the new abbey was moved to Drongen, when the canons accepted the Premonstratensian rules.
In 1566 the abbey suffered from the Beeldenstormer (Iconoclasts), and in 1578, during the Ghent Republic, the Calvinists drove out the fathers, who took refuge in the Hof van Drongen, and destroyed the abbey. Its possessions fell into the hands of William the Silent, but were given back by his heirs.
The abbey church was rebuilt in 1638, and the monastic buildings between 1638 and 1698, leaving the abbey much the same as it is now. In 1796, during the French Revolution, the fathers were again driven out, and the abbey suppressed and sold off. Lieven Bauwens installed a cotton mill, which went bankrupt in 1836, and a dyeworks using madder root.
In 1836 the Jesuits bought part of the abbey buildings for the use of their novices, and in 1848 they bought the remainder of the property. The training continued until 1968, when it stopped for want of vocations, but they continued to provide meditations and retreats, for individuals and groups, and thus the abbey became a retreat centre. Older Jesuits continued to live there, and the abbey also became a Jesuit retirement home.
The octagonal abbey church in white stone, with a small cupola, was rebuilt in 1734 after a fire. Known as St. Gerolf's Church, it now serves as the parish church of the centre of Drongen.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.