History of Denmark between 1771 - 1814
New propriety and Enlightenment ideas became popular among the middle classes of Denmark, arousing increased interest in personal liberty. In the last 15 years of the 18th century the authorities relaxed the censorship which had existed since the beginning of the 17th century. At the same time, a sense of Danish nationalism began to develop. Hostility increased against Germans and Norwegians present at the royal court. Pride in the Danish language and culture increased, and eventually a law banned "foreigners" from holding posts in the government. Antagonism between Germans and Danes increased from the mid-18th century on.
In the 1770s, during the reign of the mentally unstable Christian VII (1766–1808), the queen's lover, a German doctor named Johann Friedrich Struensee, became the real ruler of the country. Filled with the ideas of the Enlightenment, he attempted a number of radical reforms including freedom of the press and religion. But it was short-lived. The landlords feared that the reforms were a threat to their power, while the commoners believed that religious freedom was an invitation to atheism. In 1772, Struensee was arrested, tried, and convicted of crimes against the majesty. Struensee was beheaded his remains were quartered and put on display on top of spikes on the commons west of Copenhagen. The next 12 years were a period of unmitigated reaction until a group of reformers gained power in 1784.
Denmark became the model of enlightened despotism, partially influenced by the ideas of the French Revolution. Denmark thus adopted liberalizing reforms in line with those of the French Revolution, with no direct contact. Danes were aware of French ideas and agreed with them, as it moved from Danish absolutism to a liberal constitutional system between 1750-1850. The change of government in 1784 was caused by a power vacuum created when King Christian VII took ill, and influence shifted to the crown prince (who later became King Frederick VI) and reform-oriented landowners. Between 1784 and 1815, the abolition of serfdom made the majority of the peasants into landowners. The government also introduced free trade and universal education. In contrast to France under the ancien regime, agricultural reform was intensified in Denmark, civil rights were extended to the peasants, the finances of the Danish state were healthy, and there were no external or internal crises. That is, reform was gradual and the regime itself carried out agrarian reforms that had the effect of weakening absolutism by creating a class of independent peasant freeholders. Much of the initiative came from well-organized liberals who directed political change in the first half of the 19th century.
The long decades of peace came to an abrupt end during the Napoleonic Wars. Britain felt threatened by the Armed Neutrality Treaty of 1794, which originally involved Denmark and Sweden. The British fleet attacked Copenhagen in 1801, destroying much of Denmark's navy. Denmark nonetheless managed to remain largely uninvolved in the Napoleonic Wars until 1807. The British fleet bombarded Copenhagen again that year, causing considerable destruction to the city. They then captured the entire Danish fleet so that it could not be used by France to invade Britain (as the French had lost their own fleet at Trafalgar in 1805), leading to the Gunboat War (1807–1814). The confiscation of the Danish navy was widely criticised in Britain.
In 1809 Danish forces fighting on the French side participated in defeating the anti-Bonapartist German rebellion led by Ferdinand von Schill, at the Battle of Stralsund. By 1813, Denmark could no longer bear the war costs, and the state was bankrupt. When in the same year the Sixth Coalition isolated Denmark by clearing Northern Germany of French forces, Frederick VI had to make peace. Accordingly, the unfavourable Treaty of Kiel was concluded in January 1814 with Sweden and Great Britain, and another peace was signed with Russia in February.
The post-Napoleonic Congress of Vienna demanded the dissolution of the Dano-Norwegian union, and this was confirmed by the Treaty of Kiel in 1814. The treaty transferred Heligoland to Great Britain and Norway from the Danish to the Swedish crown, Denmark was to be satisfied with Swedish Pomerania.
Interestingly, this period also counts as "the Golden Age" of Danish intellectual history. A sign of renewed intellectual vigor was the introduction of compulsory schooling in 1814. Literature, painting, sculpture, and philosophy all experienced an unusually vibrant period. The stories of Hans Christian Andersen (1805–1875) became popular not only in Denmark, but all over Europe and in the United States. The ideas of the philosopher Søren Kierkegaard (1813–1855) spread far beyond Denmark, influencing not only his own era, but proving instrumental in the development of new philosophical systems after him. The sculptures of Thorvaldsen (1770–1834) grace public buildings all over Denmark and other artists appreciated and copied his style. Grundtvig (1783–1872) tried to reinvigorate the Danish National Church and contributed to the hymns used by the church in Denmark.
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.