Christiansfeld town was founded in 1773 by the Moravian Church and named after the Danish king Christian VII. Most of Christiansfeld was constructed in the years 1773-1800, following a strict city plan. To encourage construction, king Christian VII promised a ten-year tax holiday for the city and paid 10% of the construction costs of new houses. It was one of many towns in Schleswig officially designated a small market town (flække).
In 1864, Christiansfeld and the rest of Schleswig was ceded to Prussia as a result of Denmark's defeat in the Second Schleswig War. It remained a part of Germany until 1920 when, as a part of a plebiscite called for by the Treaty of Versailles, Northern Schleswig voted to rejoin Denmark. After reunification, the Moravian church lost some of the rights it had obtained as a part of the town's founding in the 18th century. For example, it no longer had the ability to choose the towns leadership, paving the way for the town's first Danish mayor who was not a member of the church in 1920. The church also sold its schools at this time due to the declining membership of its congregation.
Today, the city is a tourist attraction: the old city core, the Moravian Church with its light, simple and impressive hall and the special cemetery draw thousands of tourists each year. Its well preserved architecture is one of the reasons it was nominated as a tentative UNESCO World Heritage Site in 1993 and finally named as a World Heritage site in 2015.
The town is famed for its honey cakes. These are baked to a secret recipe from 1783. Until 2008, the cakes were baked in the original 18th-century bakery, which was then renovated because of new national sanitary standards, but still uses the original recipes.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.