The National Museum of Denmark (Nationalmuseet) is Denmark’s largest museum of cultural history, comprising the histories of Danish and foreign cultures, alike. The museum's main domicile is located a short distance from Strøget. It contains exhibits from around the world, from Greenland to South America.
The museum has a number of national commitments, particularly within the following key areas: archaeology, ethnology, numismatics, ethnography, natural science, conservation, communication, building antiquarian activities in connection with the churches of Denmark as well as the handling of the Danefæ (the National Treasures).
The museum covers 14,000 years of Danish history, from the reindeer-hunters of the Ice Age, Vikings and works of art created in praise of God in the Middle Ages, when the church played a huge role in Danish life. Danish coins from Viking times to the present and coins from ancient Rome and Greece, as well as examples of the coinage and currencies of other cultures are exhibited also. Furthermore the National Museum keeps Denmark’s largest and most varied collection of objects from the ancient cultures of Greece and Italy, the Near East and Egypt. For example, it holds a collection of objects that were retrieved during the Danish excavation of Tell Shemshara in Iraq in 1957. In addition to this, there are exhibits about who the Danish people are and were, stories of everyday life and special occasions, stories of the Danish state and nation, but most of all stories of different people’s lives in Denmark from 1560 to 2000.References:
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne"s court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.