The Celtic hillfort of Otzenhausen is one of the biggest fortifications the Celts ever constructed. It was built by Gauls of the Treveri tribe, who lived in the region north of the fort. The first fortification was constructed in the 5th or 4th century BC, but the real heyday of construction dates to the 2nd and 1st century BC. For reasons yet unknown, the fort was abandoned shortly after this expansion.
The site is formed in the shape of a triangle with rounded ends. One rampart surrounds the whole fort. On the southern side, another similar embankment is built about 40 metres in front of the main one. The ends of this outer rampart approach the main one but do not touch it. Because the entrance of the main rampart is located on the western side, no significant purpose for the outer one has been determined. From west to east the fort extends 460 m, from north to south 647 m. The total length of the ramparts is 2500 metres and they contain 240,000 cubic metres of stone. Thousands of beams were attached to the ramparts which, as the diagram shows, probably presented a vertical stone wall to the exterior. Perhaps there was a second gate on the eastern side, but its existence is not yet proven.
In Roman time a small temple of 2.15 metres x 2.70 metres, dating from the 2nd or 3rd century A.D. was built of quartzite rubble stone and brick-shaped sandstone. When German tribes invaded the Roman territories in 4th century A.D, the fort was used again. During the Thirty Years War (1618–1648) the citizens of the surrounding villages again took refuge in the remains of the Celtic fort. Excavations took place in 1883 and from 1936 to 1939.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.