History of Finland between 1527 - 1610
In 1521 the Kalmar Union collapsed and Gustav Vasa became the King of Sweden. During his rule, the Swedish church was reformed (1527). The state administration underwent extensive reforms and development too, giving it a much stronger grip on the life of local communities – and ability to collect higher taxes. Following the policies of the Reformation, in 1551 Mikael Agricola, bishop of Turku, published his translation of the New Testament into the Finnish language. In 1550 Helsinki was founded by Gustav Vasa under the name of Helsingfors, but remained little more than a fishing village for more than two centuries.
King Gustav Vasa died in 1560 and his crown was passed to his three sons in separate turns. King Erik XIV started an era of expansion when the Swedish crown took the city of Tallinn in Estonia under its protection in 1561. The Livonian War was the beginning of a warlike era which lasted for 160 years. In the first phase, Sweden fought for the lordship of Estonia and Latvia against Denmark, Poland and Russia. The common people of Finland suffered because of drafts, high taxes, and abuse by military personnel. This resulted in the Cudgel War of 1596–97, a desperate peasant rebellion, which was suppressed brutally and bloodily. A peace treaty (the Treaty of Teusina) with Russia in 1595 moved the border of Finland further to the east and north, very roughly where the modern border lies.
An important part of the 16th century history of Finland was growth of the area settled by the farming population. The crown encouraged farmers from the province of Savonia to settle the vast wilderness regions in Middle Finland. This was done, and the original Sami population often had to leave. Some of the wilderness settled was traditional hunting and fishing territory of Karelian hunters. During the 1580s, this resulted in a bloody guerrilla warfare between the Finnish settlers and Karelians in some regions, especially in Ostrobothnia.
References: Wikipedia
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.