Albertus Pictor

Holy Trinity Church

Helga Trefaldighet (Holy Trinity) Church was inaugurated in 1302. It replaced the previous church of local Ullerås parish. The church is made of grey stone and brick and it was originally a three-nave basilica. The western tower was added in the 15th century. The church was damaged badly by fire in 1702. The interior is particularly notable. It is decorated with paintings by the famous medieval artist Albertus Pict ...
Founded: 1302 | Location: Uppsala, Sweden

Nederluleå Church

Nederluleå church is the largest medieval church in Norrland. It was built during the 15th century and inaugurated by Archbishop Jacob Ulfsson in 1492. The church has a very rich interior and furnishings. The late-mediaeval frescos in the chancel were by the school of Albertus Pictor. The richly decorated triptych was made in Antwerpen around 1520 and it is one of the finest in Sweden. The font and cruficix date al ...
Founded: 1492 | Location: Gammelstad, Sweden

Gammelstad Church Town

Gammelstad Church Town is a UNESCO World Heritage Site situated in Gammelstaden near the city of Luleå. It is the best preserved example of a type of town that was once widespread throughout northern Scandinavia. As Church Village of Gammelstad, Luleå, it was listed as a World Heritage Site in 1996. At its centre is an early 15th century stone church surrounded by 424 wood-built houses. The houses were only us ...
Founded: ca. 1492 | Location: Luleå, Sweden

Bromma Church

Bromma church is a medieval so-called round church. The oldest parts of the church were built in the later 12th century as a fortress church, and the church is among Stockholm's oldest buildings. Originally the church consisted of the round house and a choir on the east side. The nave and the sacristy were constructed in the mid 15th century, built in stone. In the 1480s Albertus Pictor or his pupils painted more than for ...
Founded: 12th century | Location: Stockholm, Sweden

Solna Church

The medieval church of Solna is a so-called round church. The oldest part of the church, the roundhouse, originates from the late 12th century, and was especially built for defense purposes. Attached to this round center is a weaponhouse (south), a rectangular choir to the east, and a rectangular nave to the west. North of the choir is the sacristy, and to the east an octagonal grave choir. There is a second grave choir o ...
Founded: 12th century | Location: Stockholm, Sweden

Floda Church

Floda church well known for its architecture and decorations. The original church was built in the 12th century, but the current brick church was built over it in 1886-1888. The rich mural paintings were made in 1480s by Albertus Pictor and are very well-preserved. The original colours are still visible due walls have never been whitewashed or overpainted as usually in old churches. There is a Baroque chapel of field mar ...
Founded: 12th century | Location: Floda, Sweden

Sollentuna Church

Sollentuna Church originates from the late 1100s but it has been restored and enlarged several times. The current appearance dates from the 1600s. In 1560 remnants of Gustav Vasa and his two wives were held in Sollentuna church on the way to funeral in Uppsala Cathedral. The interior is decorated with murals by famous Albertus Pictor school in the late 1400s. The thurible dates from the 1200s and font was made in Gotland ...
Founded: 12th century | Location: Sollentuna, Sweden

Härkeberga Church

Härkeberga church was built in the early 1300s and was enlarged in the 1400s with the vestry and porch. Also vaults were added then. Albertus Pictor decorated arches and walls with murals in the mid 1480's. The wall paintings were restored in the 1930s. The paintings in Härkeberga church are Albertus Pictor's finest works. The stories originate from both the Old and New Testaments. They relate to the Biblia Pauperum, a ...
Founded: 14th century | Location: Enköping, Sweden

Täby Church

Täby Church was built during the latter half of the 13th century. It was first constructed as a square hall. In mid 14th century a vestry was added and about 100 years later the church porch was built. During the second half of the 15th century, the flat wooden ceiling was replaced by a vaulted ceiling. The altarpiece dates from the 1470s. The church is best known as one of the churches with mural paintings by Albertus ...
Founded: 13th century | Location: Täby, Sweden

Ödeby Church

Öbeby Church was entirely reconstructed in 1680 by Magnus Gabriel de la Gardie. The tower date from the original church built in the 13th century. Ödeby Church is richly decorated, probably by the workshop of Albertus Pictor in the 1470s. The altar is a significant attraction, made in Mechelen, Belgium, in the beginning of the 15th century. The pulpit date from 1681.
Founded: 13th century | Location: Glanshammar, Sweden

Ösmo Church

The oldest part of the Ösmo Church was constructed in the latter part of the 12th century. The church was modernized in the 14th century, when the old chancel was demolished and replaced by one which was both taller and wider. The church largely gained its present appearance during the 15th century. The interior of the church is decorated with frescoes added just after the middle of the 15th century. It is said that ...
Founded: 12th century | Location: Nynäshamn, Sweden

Odensala Church

The church of Odensala was built in the late 1100s. The sacristy and tower were added later. The brick-made portal dates from the late 1200s. The arches were added in 1300s. Odensala church is famous for its colorful and expressive lime paintings from the 1500"s by Albertus Pictor or his workshop. The altarpiece was made in 1514, but is today in museum. The pulpit is a gift from Count Karl Gyllenstierna (1714).
Founded: 12th century | Location: Sigtuna, Sweden

Knutby Church

Knutby church is a medieval stone church built probably in the late 13th century. The sacristy was built during the 1300s or 1400s. The porch was added probably in the 1400s. The nave, together with the tall and wide chancel is covered by a single pitched roof. The interior is richly decorated with murals, more than any other of Uppland churches. Albertus Pictor was the author of the younger paintings depicting the life ...
Founded: 13th century | Location: Knutby, Sweden

Almunge Church

Almunge church was built in the 13th century and extended to the east in the 1660’s. The bell tower was added in the 16th century. Inside the church the most interesting artefacts are the imposing altar retable from 1717 and distinguished pulpit from 1716 made by Carl Spaak. Baptismal font of limestone was made in the 13th century and frescoes by Albertus Pictor in 1490s.
Founded: 13th century | Location: Uppsala, Sweden

Yttergran Church

Yttergran granite church dates from the late 1100s and it is the smallest one in the diocese. The church had originally no tower, although one was added relatively early in the 13th century. The interior decoration dates mainly from about 1480, when famous medieval master Albertus Pictor painted murals. The paintings are in a good condition and are well worth seeing.
Founded: 12th century | Location: Bålsta, Sweden

Kumla Church

Kumla Church was built around 1300 and included a longhouse and a small bell tower. In the end of the 15th century the wood roof was replaced by a brick star vaults. In the 18th century they made the windows bigger and built the bell tower. The church is famous for its beautiful frescoes by Albertus Pictor painted in 1482. The stained glass windows in the choir are the work of the Västerås artist Nils-Aron Berg ...
Founded: c. 1300 | Location: Sala, Sweden

Villberga Church

The original Villberga church consisting of nave and chancel was built probably between 1227-1280. Until the mid-1300s the vaulting of brick and current vestry were added. Simultaneously with the arches were added probably. The porch has been dated to the period 1250-1350. The original frescoes were made probably in the mid-1400s by an unknown artist associated with Mälardalen School. At the end of the 1400's them we ...
Founded: ca. 1227-1280 | Location: Grillby, Sweden

Gryta Church

The age of Gryta Church is unknown. The first church, probably a wooden one, was built there in the 1000’s. How old present stone church is impossible to say, the remains of earlier church can be hidden in the gray stone walls, covered by a thick plaster layer. The church is richly decorated with mural paintings and they are well preserved. The paintings might have been done by Albert the Painter (Albertus Pictor). ...
Founded: 11-12th century | Location: Örsundsbro, Sweden

Löt Church

The sacristy is the oldest part of the Löt Church. It was originally built for the previous wooden church in the 1100s. The present nave and apsis were added in the late 1200s and the church was enlarged in the late 1400s. One of the key attractions is the collection of frescoes on the walls. These were painted by the master Albertus Pictor in the 15th century. The pulpit date from 1657. The separate bell tower was e ...
Founded: 12th century | Location: Grillby, Sweden

Kalmar Church

Kalmar Church was built of granite in the late 12th century. Around 1300 it was enlarged and modified to the aisleless Gothic church. In 1485 famous Albertus Pictor decorated walls and vaults with murals. Frescoes were restored in 1958 and still visible. Th current tower was added in 1830. There is font with a cuppa, made of red sandstone, from the late 1100s and medieval wooden sculptures (like a triptych from the mid-14 ...
Founded: 12th century | Location: Bålsta, Sweden

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Quimper Cathedral

From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.

The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.

At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.

The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.

The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.

Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).

The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.

At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».

The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.