The medieval church of Solna is a so-called round church. The oldest part of the church, the roundhouse, originates from the late 12th century, and was especially built for defense purposes. Attached to this round center is a weaponhouse (south), a rectangular choir to the east, and a rectangular nave to the west. North of the choir is the sacristy, and to the east an octagonal grave choir. There is a second grave choir on the south side of the nave. The roundhouse (central tower) is covered by a tall cupola, which dominates the appearance of the church. The choir was added in the 13th century. The oldest part of the nave is from the 14th century, and was extended during the 15th century, when the weaponhouse and sacristy were built.
The church achieved large parts of its interior under the patronage of Magnus Gabriel de la Gardie. In 1674 the western portal was added, a sculptured portal originally constructed for Karlbergs slott in 1637, and moved to Solna church in 1674. In 1708 Queen Ulrika Eleonora commissioned a grave choir dedicated to count Tomas Polus. The roof was destroyed in a fire in 1723, and the current cupola was built after this incident. The Lange grave choir was constructed in the 1780s. In 1883 the church was given a roof of copper plates. A major restoration took place in 1928 under supervision of architect Erik Fant, when the church's medieval paintings were recovered. The medieval murals from ca. 1440 are attributed to Albertus Pictor.
The choir is dominated by the altar centre-piece, sculpted in wood in 1666 by Hans Jerling. The centre-piece frames two oil paintings with biblical motifs, and is crowned by a wood-sculptured Madonna from the late 16th century, while the altar is made of brick and covered by a limestone plate.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".