Castles in Thurgau canton

Frauenfeld Castle

Frauenfeld castle was founded by the counts of Kyburg in the 13th century. The massive tower dates from 1227. The exhibit of the Thurgau History Museum in castle illustrates the time after 1415 that was so important for the region. It offers both children and adults an insightful and playful gateway to the Middle Ages. The modern arrangements, interactive animation and the artwork shining in new splendour are the highli ...
Founded: 13th century | Location: Frauenfeld, Switzerland

Bischofszell Castle

Bischofszell castle was built in the 12th/13th century. It was damaged by the city fire in 1419 and repaired soon thereafter. During the 17th and 18th century the castle was expanded and totally renovated. The newly founded Canton of Thurgau took over the castle in 1798, but sold it in 1811 again. About 1838 the west part collapsed, and in 1843 the keep was broken up. Since 1930, the castle has been owned by the municipal ...
Founded: 1419 | Location: Bischofszell, Switzerland

Arbon Castle

A castle in Arbon is first mentioned in 720 in a history of St. Gall Abbey. It stood on or near the site of the Roman era Arbor Felix fortress from 250 AD. After the Romans retreated south of the Alps around 400, the old fortress was abandoned. Sometime later a Frankish castle was built in Arbon probably for the Frankish royal family. By around 700, Arbon and presumably the castle, were the property of the diocese ...
Founded: 13th century | Location: Arbon, Switzerland

Arenenberg

Arenenberg is a small chateau at the shore of Lake Constance in Thurgau, Switzerland that is famous as the final domicile of Hortense de Beauharnais. Today it houses the Napoleonmuseum. Arenenberg was built in the early 16th century by the mayor of Constance (1546–48) Sebastian Geissberg. The estate saw a number of owners. In 1817, Johann Baptist von Streng sold it to the exiled Hortense de Beauharnais, the d ...
Founded: 1546 | Location: Salenstein, Switzerland

Seeburg Castle

The site of current Seeburg castle was mentioned first time in 740 AD. The construction of current castle was started in the 11th century (around 1036). It was largely extended by Wichmann von Seeburg, later Archbishop of Magdeburg (1115-1192). The next renovations took place in the 14th and 15th centuries, when the castle was flanked by towers and a gatehouse under the rule of Counts of Mansfeld. Later Seeburg was l ...
Founded: 11th century | Location: Kreuzlingen, Switzerland

Gottlieben Castle

Gottlieben village is first mentioned around the end of the 10th Century as Gotiliubon. It was originally part of the land owned by the Bishop of Constance. In 1251, Eberhard von Waldburg built a castle that served as the residence of the Bishops. After the Swabian War in 1499 the episcopal chief constable managed the village and the local low court from the castle until 1798. The court included Engwilen, Siegershau ...
Founded: 1251 | Location: Gottlieben, Switzerland

Hagenwil Castle

Hagenwil is the only remaining intact water castle in eastern Switzerland. The first mention of the castle dates from 1264 when Rudolf von Hagenwil donated it to the Abbey of St. Gall. The donation was made in gratitude to the Abbot of St. Gall for rescuing Rudolf from his sons in law, who were holding him prisoner at Heitnau Castle in an attempt to receive their inheritance early. The donation included the right for ...
Founded: 13th century | Location: Amriswil, Switzerland

Bernegg Castle

The name Bernegg was first mentioned in 1292. Around 1365 the estate was managed by Heinrich Gottschalk. According to unconfirmed documents, the house was looted by the Confederates in 1499 and then rebuilt. In 1702, the Bernegg passed into the possession of Johann Ulrich Merhart-Mallenbrey. To this day, Merhart family still owns the house. In 1786, Maximilian Christof von Rodt, Bishop of Constance, built the four-st ...
Founded: 15th century | Location: Kreuzlingen, Switzerland

Sonnenberg Castle

Sonnenberg Castle site was first time mentioned in 1242. The original castle was destroyed in 1407 during the Appenzell Wars and rebuilt by Landenberg family. It was again rebuilt in 1596 after a fire. Today Sonnenberg is restored and houses a restaurant.
Founded: 13th century | Location: Stettfurt, Switzerland

Altenklingen Castle

There has been a fort in the site of current Altenklingen castle since around 1200. It was owned by the Barons of Klingen until 1395. After the last owner of Klingen family was killed in battle the castle changed hands several times. Leonard Zollikofer (1529-1587) demolished the old castle and commissioned architect Mathäus Höbel from Kempten im Allgäu to build a new one. Today it is still privately owned by the ...
Founded: 16th century | Location: Wigoltingen, Switzerland

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Château de Vaux-le-Vicomte

The Château de Vaux-le-Vicomte is a baroque French château built between 1658-1661 for Nicolas Fouquet. It was made for Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV, the château was an influential work of architecture in mid-17th century Europe. At Vaux-le-Vicomte, the architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on a large-scale project for the first time. Their collaboration marked the beginning of the 'Louis XIV style' combining architecture, interior design and landscape design. The garden's pronounced visual axis is an example of this style.

To secure the necessary grounds for the elaborate plans for Vaux-le-Vicomte’s garden and castle, Fouquet purchased and demolished three villages. The displaced villagers were then employed in the upkeep and maintenance of the gardens. It was said to have employed eighteen thousand workers and cost as much as 16 million livres. The château and its patron became for a short time a focus for fine feasts, literature and arts. The poet La Fontaine and the playwright Molière were among the artists close to Fouquet. At the inauguration of Vaux-le-Vicomte, a Molière play was performed, along with a dinner event organized by François Vatel, and an impressive firework show.

After Fouquet was arrested and imprisoned for life, and his wife exiled, Vaux-le-Vicomte was placed under sequestration. The king seized, confiscated or purchased 120 tapestries, the statues, and all the orange trees from Vaux-le-Vicomte. He then sent the team of artists (Le Vau, Le Nôtre and Le Brun) to design what would be a much larger project than Vaux-le-Vicomte, the palace and gardens of Versailles.

The Marshal Villars became the new owner without first seeing the chateau. In 1764, the Marshal's son sold the estate to the Duke of Praslin, whose descendants would maintain the property for over a century. It is sometimes mistakenly reported that the château was the scene of a murder in 1847, when duke Charles de Choiseul-Praslin, killed his wife in her bedroom, but this did not happen at Vaux-le-Vicomte but at the Paris residence of the Duke.

In 1875, after thirty years of neglect, the estate was sold to Alfred Sommier in a public auction. The château was empty, some of the outbuildings had fallen into ruin, and the famous gardens were totally overgrown. The huge task of restoration and refurbishment began under the direction of the architect Gabriel-Hippolyte Destailleur, assisted by the landscape architect Elie Lainé. When Sommier died in 1908, the château and the gardens had recovered their original appearance. His son, Edme Sommier, and his daughter-in-law completed the task. Today, his descendants continue to preserve the château, which remains privately owned by Patrice and Cristina de Vogüé, the Count and Countess de Vogüé. It is now administered by their three sons Alexandre, Jean-Charles and Ascanio de Vogüé. Recognized by the state as a monument historique, it is open to the public regularly.

Architecture

The chateau is situated near the northern end of a 1.5-km long north-south axis with the entrance front facing north. Its elevations are perfectly symmetrical to either side of this axis. Somewhat surprisingly the interior plan is also nearly completely symmetrical with few differences between the eastern and western halves. The two rooms in the center, the entrance vestibule to the north and the oval salon to the south, were originally an open-air loggia, dividing the chateau into two distinct sections. The interior decoration of these two rooms was therefore more typical of an outdoor setting. Three sets of three arches, those on the entrance front, three more between the vestibule and the salon, and the three leading from the salon to the garden are all aligned and permitted the arriving visitor to see through to the central axis of the garden even before entering the chateau. The exterior arches could be closed with iron gates, and only later were they filled in with glass doors and the interior arches with mirrored doors. Since the loggia divided the building into two halves, there are two symmetrical staircases on either side of it, rather than a single staircase. The rooms in the eastern half of the house were intended for the use of the king, those in the western were for Fouquet. The provision of a suite of rooms for the king was normal practice in aristocratic houses of the time, since the king travelled frequently.

Another surprising feature of the plan is the thickness of the main body of the building (corps de logis), which consists of two rows of rooms running east and west. Traditionally the middle of the corps de logis of French chateaux consisted of a single row of rooms. Double-thick corps de logis had already been used in hôtels particuliers in Paris, including Le Vau's Hôtel Tambonneau, but Vaux was the first chateau to incorporate this change. Even more unusual, the main rooms are all on the ground floor rather than the first floor (the traditional piano nobile). This accounts for the lack of a grand staircase or a gallery, standard elements of most contemporary chateaux. Also noteworthy are corridors in the basement and on the first floor which run the length of house providing privacy to the rooms they access. Up to the middle of the 17th century, corridors were essentially unknown. Another feature of the plan, the four pavilions, one at each corner of the building, is more conventional.

Vaux-le-Vicomte was originally planned to be constructed in brick and stone, but after the mid-century, as the middle classes began to imitate this style, aristocratic circles began using stone exclusively. Rather late in the design process, Fouquet and Le Vau switched to stone, a decision that may have been influenced by the use of stone at François Mansart's Château de Maisons. The service buildings flanking the large avant-cour to the north of the house remained in brick and stone, and other structures preceding them were in rubble-stone and plaster, a social ranking of building materials that would be common in France for a considerable length of time thereafter.

The main chateau is constructed entirely on a moated platform, reached via two bridges, both aligned with the central axis and placed on the north and south sides. The moat is a picturesque holdover from medieval fortified residences, and is again a feature that Le Vau may have borrowed from Maisons. The moat at Vaux may also have been inspired by the previous chateau on the site, which Le Vau's work replaced.

Gardens

The château rises on an elevated platform in the middle of the woods and marks the border between unequal spaces, each treated in a different way. This effect is more distinctive today, as the woodlands are mature, than it was in the seventeenth century when the site had been farmland, and the plantations were new.

Le Nôtre's garden was the dominant structure of the great complex, stretching nearly a mile and a half (3 km), with a balanced composition of water basins and canals contained in stone curbs, fountains, gravel walks, and patterned parterres that remains more coherent than the vast display Le Nôtre was to create at Versailles.

Le Nôtre created a magnificent scene to be viewed from the house, using the laws of perspective. Le Notre used the natural terrain to his advantage. He placed the canal at the lowest part of the complex, thus hiding it from the main perspectival point of view. Past the canal, the garden ascends a large open lawn and ends with the Hercules column added in the 19th century. Shrubberies provided a picture frame to the garden that also served as a stage for royal fêtes.

From the top of the grand staircase, this gives the impression that the entire garden is revealed in one single glance. Initially, the view consists of symmetrical rows of shrubbery, avenues, fountains, statues, flowers and other pieces developed to imitate nature – these elements exemplify the Baroque desire to mold nature to fit its wishes, thus using nature to imitate nature. The centerpiece is a large reflecting pool flanked by grottos holding statues in their many niches. The grand sloping lawn is not visible until one begins to explore the garden, when the viewer is made aware of the optical elements involved and discovers that the garden is much larger than it looks.