Cathedrals in Belarus

Cathedral of Saint Virgin Mary

Cathedral of the Holy Name of Mary is a Roman Catholic Baroque cathedral. It was built in 1710 as a church for the Jesuit house. In 1793, after the Russian conquest of Belarus, the Jesuit order was banned and the church got a local status. Soon, after creation of the Minsk diocese, the church became the local cathedral. The Cathedral was heavily damaged in a fire in 1797, but was later fully renewed. In 1869, the Minsk d ...
Founded: 1710 | Location: Minsk, Belarus

Holy Spirit Cathedral

Holy Spirit Cathedral was built in Baroque style between 1633-1642 as the main temple of Catholic Bernadine convent. During the 1700-1800s it was reconstructed to the present architectural shape. In 1852 the convent was closed, and its nuns were sent to Nesvizh town. In I860 the former monastic church was turned into the orthodox church. After ten years an orthodox monastery was opened here. In 1918, after the closing of ...
Founded: 1633-1642 | Location: Minsk, Belarus

St. Sophia Cathedral

The Cathedral of Holy Wisdom in Polotsk was built by Prince Vseslav Briacheslavich between 1044-1066. It is first mentioned in the Voskresenskaia Chronicle under the year 1056. It is probably the oldest church in Belarus. The cathedral is, like the Saint Sophia Cathedral in Kiev and Saint Sophia Cathedral in Novgorod, named after the Holy Wisdom of God. After building his own cathedral, Vseslav tried to seize the Kievan ...
Founded: 1044-1066 | Location: Polotsk, Belarus

Peter and Paul Cathedral

SS Peter and Paul Church is one of the oldest stone buildings in Minsk, constructed on a narrow street Rakauskaja and remained up till now as a monument of architecture of the 17th century. The building was started in 1611 and was finished after two years. During wars and religious conflicts the church served as a fortress. It explains the thickness of its walls, a high arrangement of windows above the ground and presence ...
Founded: 1611-1613 | Location: Minsk, Belarus

St. Francis Xavier Cathedral

St. Francis Xavier Cathedral is a Roman Catholic cathedral in Hrodna (Grodno). The construction of the church started in 1687. The completed building was consecrated in 1705 to St. Francis Xavier. The monastery was dissolved in 1773 and the church became a parish one. In 1990 it was granted the title of Minor basilica. Originally a Jesuit church, it became a cathedral in 1991, when the new diocese of Grodno was erected.
Founded: 1687-1705 | Location: Hrodna, Belarus

Archangel Michael's Cathedral

The Archangel Michael"s Cathedral is a Belarusian orthodox cathedral church of the Eparchy of Turov located in Mozyr. The church was built in 18th century as a Catholic church of Franciscan monastery in late baroque style in the form of two-towered three-nave basilica. In 1745 Marszałek Kazimierz Oskierka start the building of new stone Franciscan (in Poland called 'Bernardine') monastery with a big c ...
Founded: 1745 | Location: Mozyr, Belarus

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King"s Garden, the Island Garden, Parterre Garden and the Prince"s Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.