Cathedrals in Estonia
Alexander Nevsky Cathedral
The Alexander Nevsky Cathedral is an orthodox cathedral in Tallinn. It is built to a design by Mikhail Preobrazhensky in a typical Russian Revival style between 1894 and 1900, during the period when the country was part of the Russian Empire. The Alexander Nevsky Cathedral is Tallinn's largest and grandest orthodox cupola cathedral. It is dedicated to Saint Alexander Nevsky who in 1242 won the Battle of the Ice on Lake Pe ...Haapsalu Castle
The bishop castle of Haapsalu was built in the 13th century. It was the main residence of the Bishop of Läänemaa. The Läänemaa bishopric was created as a state of the Holy Roman Empire on 1 October 1228. Construction, widening and reconstruction of the stronghold went on throughout several centuries, with the architecture changing according to the development of weapons. The stronghold achieved its fi ...Tartu Cathedral
Tartu Cathedral (Estonian Tartu toomkirik) is one of the landmarks of the city of Tartu. The building is now an imposing ruin overlooking the lower town. In the small part of it that has been renovated is now located the museum of the University of Tartu, which the university also uses for major receptions. The hill on which the cathedral later stood (Toomemägi or "cathedral hill") was one of the largest strongholds ...St Mary's Cathedral
St Mary’s Cathedral was originally established by Danes on 13th century and it is the oldest church in Tallinn and mainland Estonia. It is also the only building in Toompea which survived a 17th century fire. The first church was made of wood and built there most likely already in 1219 when the Danes invaded Tallinn. In 1229 when the Dominican monks arrived, they started building a stone church replacing the old ...Orthodox Resurrection of the Christ Cathedral
The Orthodox cathedral was built in 1890-1898 by the Kreenholm manufacture for its Orthodox labour. It was designed by architect Pavel Alisch. The great cathedral is made of brick and Finnish granite and has seats for 2000 people. The most prominent feature of its interior is the wooden crucifix (Architect Astafjev). The icons were painted by Michail Dickarev (Palech School).Featured Historic Landmarks, Sites & Buildings
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Ananuri Castle
Ananuri was a castle and seat of the eristavis (Dukes) of Aragvi, a feudal dynasty which ruled the area from the 13th century. The castle was the scene of numerous battles. The current ensemble dates from the 16th and 17th centuries.
In 1739, Ananuri was attacked by forces from a rival duchy, commanded by Shanshe of Ksani and was set on fire. The Aragvi clan was massacred. However, four years later, the local peasants revolted against rule by the Shamshe, killing the usurpers and inviting King Teimuraz II to rule directly over them. However, in 1746, King Teimuraz was forced to suppress another peasant uprising, with the help of King Erekle II of Kakheti. The fortress remained in use until the beginning of the 19th century. In 2007, the complex has been on the tentative list for inclusion into the UNESCO World Heritage Site program.
Architecture
The fortifications consist of two castles joined by a crenellated curtain wall. The upper fortification with a large square tower, known as Sheupovari, is well preserved and is the location of the last defense of the Aragvi against the Shamshe. The lower fortification, with a round tower, is mostly in ruins.
Within the complex, amongst other buildings, are two churches. The older Church of the Virgin, which abuts a tall square tower, has the graves of some of the Dukes of Aragvi. It dates from the first half of the 17th century, and was built of brick. The interior is no longer decorated, but of interest is a stone baldaquin erected by the widow of the Duke Edishera, who died in 1674.
The larger Church of the Mother of God (Ghvtismshobeli), built in 1689 for the son of Duke Bardzem. It is a central dome style structure with richly decorated façades, including a carved north entrance and a carved grapevine crosson the south façade. It also contains the remains of a number of frescoes, most of which were destroyed by the fire in the 18th century.