Tartu Cathedral (Estonian Tartu toomkirik) is one of the landmarks of the city of Tartu. The building is now an imposing ruin overlooking the lower town. In the small part of it that has been renovated is now located the museum of the University of Tartu, which the university also uses for major receptions.
The hill on which the cathedral later stood (Toomemägi or "cathedral hill") was one of the largest strongholds of the pagan Estonians, and the strategic nature of the site makes it likely that it had been since the earliest times. It was destroyed in 1224 by the Christian invaders of Livonia. Immediately after the conquest the Christians began construction of a bishop's fortress, the Castrum Tarbatae, on this strategic spot. (Parts of the old walls of the previous structures have since been revealed by archaeological excavations).
The construction of the Gothic cathedral on the north side of the cathedral hill was probably begun in the second half of the 13th century. It was surrounded by a graveyard and houses for the members of the cathedral chapter. The cathedral was dedicated to Saints Peter and Paul, who were also the patron saints of the city. It was the seat of the Bishopric of Dorpat, and one of the largest religious buildings of Eastern Europe.
The church was originally planned as a basilica, but the later addition of the three-aisled quire gave it the character of a hall church. The quire (in an early form) and nave were already in use by 1299. The cathedral was completed at the end of the 16th century with the building of the two massive fortress-like towers, originally 66 metres high, on either side of the west front. A wall separated the cathedral grounds and the bishop's fortified residence from the lower town.
In the mid-1520s the Reformation reached Tartu. On 10 January 1525 the cathedral was badly damaged by Protestant iconoclasts, after which it fell increasingly into decay. After the deportation to Russia of the last Roman Catholic Bishop of Dorpat, Hermann Wesel (bishop from 1554 to 1558; died 1563), the cathedral church was abandoned. During the Livonian War (1558–1583) Russian troops devastated the city. When in 1582 the city fell to the Poles, the new Roman Catholic rulers planned to rebuild the cathedral, but the plans were abandoned because of the ensuing Polish-Swedish War (1600–1611). A fire in 1624 compounded the damage.
In 1629 Tartu became Swedish, and the new rulers showed little interest in the derelict building, which during their time fell further into ruin and neglect, except that the burials of the townspeople continued in the graveyard well into the 18th century, while the main body of the church served as a barn. In the 1760s the two towers were reduced from 66 metres to 22 metres, the level of the nave roof, and made into a platform for cannon. The main portal was walled up at this time.
With the re-founding of the German-speaking University of Dorpat by Tsar Alexander I of Russia in 1802, the Baltic German architect Johann Wilhelm Krause was commissioned to build among the cathedral ruins the university library, a three-storey building erected between 1804 and 1807. At the end of the 19th century the northern tower was converted for use as a water tower.
In the 1960s the library building was extended and fitted with central heating. When it was replaced in 1981 by a new university library building, the old library became the home of the historical museum of the University of Tartu (Estonian: Tartu Ülikooli ajaloomuuseum). A thorough building conversion took place in 1985, when the 19th century interior was largely restored. Today the museum contains displays of important artefacts of the university's history, scientific instruments and rare books. The rest of the cathedral ruins and the external walls of the quire have been structurally secured and consolidated.
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.