Alexander Nevsky Cathedral

Tallinn, Estonia

The Alexander Nevsky Cathedral is an orthodox cathedral in Tallinn. It is built to a design by Mikhail Preobrazhensky in a typical Russian Revival style between 1894 and 1900, during the period when the country was part of the Russian Empire. The Alexander Nevsky Cathedral is Tallinn's largest and grandest orthodox cupola cathedral. It is dedicated to Saint Alexander Nevsky who in 1242 won the Battle of the Ice on Lake Peipus, in the territorial waters of present-day Estonia. The late Russian patriarch, Alexis II, started his priestly ministry in the church.

The Alexander Nevsky Cathedral crowns the hill of Toompea where the Estonian folk hero Kalevipoeg is said to have been buried according to a legend (there are many such legendary burial places of him in Estonia). The cathedral was built during the period of late 19th century Russification and was so disliked by many Estonians as a symbol of oppression that the Estonian authorities scheduled the cathedral for demolition in 1924, but the decision was never implemented due to lack of funds and the building's massive construction. As the USSR was officially non-religious, many churches including this cathedral were left to decline. The church has been meticulously restored since Estonia regained independence from the Soviet Union in 1991.

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Details

Founded: 1894-1900
Category: Religious sites in Estonia
Historical period: Part of the Russian Empire (Estonia)

Rating

4.5/5 (based on Google user reviews)

User Reviews

Janet For Heaven's Cakes - 4hcakes (5 months ago)
Beautiful building. It's worth the fairly steep walk up to it.
Andrea Hardy (5 months ago)
It's an old church. If you've seen one, you've basically seen 90% of any other church. On our tour, we learned it's actually a newer church for the area. You cannot take any pictures inside. It does have a gift shop.
Rahul Kumar (5 months ago)
Nice quiet tourist place. The outside and inside of the Cathedral is quite beautiful and you also have a castle nearby. Overall nice place to relax. Walk and visit
Markus Oberer (7 months ago)
Nice onion-domed, Russian Orthodox Church. A fix stop on every tourist city loop. But be aware. The place is for worship, so photos are prohibited.
George On tour (8 months ago)
The large and richly decorated Russian Orthodox church, designed in a mixed historicist style, was completed on Toompea Hill in 1900, when Estonia was part of the Czarist Empire. The well-maintained cathedral is one of the most monumental examples of Orthodox sacral architecture in Tallinn. Tallinn’s most powerful ensemble of church bells is located in the church towers. It comprises 11 bells, including Tallinn’s largest bell, which weighs 15 tonnes. Carillons by the entire ensemble can be heard before services. The interior, which is decorated with mosaics and icons, is worth a visit.
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Limburg Cathedral

The Cathedral of Limburg is one of the best preserved late Romanesque style buildings. It is unknown When the first church was built above the Lahn river. Archaeological discoveries have revealed traces of a 9th-century church building in the area of the current chapel. It was probably built in Merovingian times as a castle and the chapel added in the early 9th century.

In 910 AD, Count Konrad Kurzbold (cousin of the future King Konrad I) founded a collegiate chapter of 18 canons, who lived according to the rule of Bishop Chrodegang of Metz, on the hilltop site. The original castle chapel was torn down and a three-aisled basilica was built in its place. The foundations of this basilica have been found beneath the present floor.

The construction of current cathedral is dated to 1180-90. The consecration was performed in 1235 by the archbishop of Trier. It seems certain that the cathedral was built in four stages. The first stage encompassed the west facade, the south side aisle, the choir and the transept up to the matroneum. This section forms the Conradine church. The second stage consisted of the addition of the inner pillars of the south nave. In this stage the bound system was first introduced. In the third phase, the matroneum in the southern nave was built. The fourth stage included the north side of the transept and the choir matroneum. By this stage Gothic influence is very clear.

The interior was destroyed by Swedish soldiers during the Thirty Years War (1618-48) and reconstructed in a late Baroque style in 1749. The Baroque renovation was heavy-handed: the surviving medieval stained glass windows were replaced; all the murals were covered up; the ribs of the vaults and columns of the arcades were painted blue and red; the capstones were gilded; the original high altar was replaced. The colorfully painted exterior was coated in plain white and the central tower was extended by 6.5 meters.

The collegiate chapter of Limburg was dissolved in 1803 during the Napoleonic period, but then raised to the rank of cathedral in 1827 when the bishopric of Limburg was founded. Some renovations in contemporary style followed: the walls were coated white, the windows were redone in blue and orange (the heraldic colors of the Duke of Nassau) and towers were added to the south transept (1865).

Further changes came after Limburg was incorporated into the Kingdom of Prussia in 1866. It was now the Romantic period and the cathedral was accordingly restored to an idealized vision of its original Romanesque appearance. The exterior stonework was stripped of all its plaster and paint, to better conform with the Romantic ideal of a medieval church growing out of the rock. The Baroque interior was stripped away and the wall paintings were uncovered and repainted.

Further renovations came in 1934-35, enlightened by better knowledge of the original art and architecture. Art Nouveau stained glass windows were also added. A major restoration in 1965-90 included replastering and painting the exterior, both to restore it to its original appearance and to protect the stonework, which was rapidly deteriorating while exposed to the elements.

The interior is covered in medieval frescoes dating from 1220 to 1235. They are magnificent and important survivals, but time has not been terribly kind to them - they were whitewashed over in the Baroque period (1749) and uncovered and repainted with a heavy hand in the Romantic period (1870s) before finally being restored more sensitively in the 1980s.