The bishop castle of Haapsalu was built in the 13th century. It was the main residence of the Bishop of Läänemaa. The Läänemaa bishopric was created as a state of the Holy Roman Empire on 1 October 1228.
Construction, widening and reconstruction of the stronghold went on throughout several centuries, with the architecture changing according to the development of weapons. The stronghold achieved its final dimensions under the reign of Bishop Johannes IV Kievel (1515–1527). The western side of the castle houses a 29-metre watchtower dating from the 13th century, later used as a bell tower. The walls were later raised to 15 metres. The inner trenches and blindages, which were built for cannons and as a shelter from bombing, date back to the Livonian War (1558–1582), but it was during this war that the stronghold was severely damaged. The walls of the small castle and the outer fortification were left partly destroyed.
In the 17th century, the castle was no longer used as a defensive building by the Swedes who now ruled the Swedish Estonian Province. In the course of the Great Northern War in 1710, Estonia fell under Russian rule and the walls were partially demolished at the command of the Peter I of Russia, turning the castle in effect into ruins.
The Cathedral of Haapsalu is attached to the castle. It was the official chair of the Bishop, was situated and where the Chapter of the Bishopric worked. It is the biggest single-naved church in the Baltic countries, with its 15.5-metre-high domical vaults and an area of 425 m2. The Dome church was probably built in the 1260s, following the style of the Cistercian Order. The round baptism chapel on the eastern side of the church was built in the 14th or 15th century and is the site of a famous legend. On moonlight August nights the shape of a Lady in White appears on the inside wall of the chapel as the moon shines through the chapel window. This Lady is said to have been a woman who was in love with the abbot and entered the castle against his orders, therefore having been walled in there alive as a punishment. The church has been restored and it is again in active use by the local congregation of the Estonian Lutheran Church since 1990.
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.