Historic city squares, old towns and villages in Germany
Hanseatic City of Lübeck
Founded in 1143 on the Baltic coast of northern Germany, Lübeck was from 1230 to 1535 one of the principal cities of the Hanseatic League, a league of merchant cities which came to hold a monopoly over the trade of the Baltic Sea and the North Sea. The plan of the Old Town island of Lübeck, with its blade-like outline determined by two parallel routes of traffic running along the crest of the island, dates back to the b ...Bamberg Historic City Centre
Bamberg is located in Upper Franconia on the river Regnitz close to its confluence with the river Main. Its historic city center is a listed UNESCO world heritage site. Bamberg is a good example of a central European town with a basically early medieval plan and many surviving ecclesiastical and secular buildings of the medieval period. When Henry II, Duke of Bavaria, became King of Germany in 1007 he made Bamberg the se ...Neuer Markt
One of the most picturesque places in Rostock is the Neuer Markt (New Market Square), with the Town Hall - that was originally built in the 13th century in Brick Gothic style, but extensively transformed in the 18th century, with the addition of a Baroque façade and a banqueting hall. The square also preserved six original, carefully restored gable houses from the 15th and 16th centuries. The other historical house ...Regensburg Old Town
Located on the Danube River, the Old Town of Regensburg is an exceptional example of a central-European medieval trading centre, which illustrates an interchange of cultural and architectural influences. The property encompasses the city centre on the south side of the river, two long islands in the Danube, the so-called Wöhrde (from the old German word waird, meaning island or peninsula), and the area of the former ...Historic Centre of Stralsund
The medieval towns of Wismar and Stralsund were major trading centres of the Hanseatic League in the 14th and 15th centuries. In the 17th and 18th centuries they became Swedish administrative and defensive centres for the German territories. They contributed to the development of the characteristic building types and techniques of Brick Gothic in the Baltic region, as exemplified in several important brick cathedrals, the ...Historic Centre of Wismar
Wismar is a unique representative of the Hanseatic League city type, with its Brick Gothic constructions and many patrician gable houses. It has been included in the UNESCO list of World Heritage Sites in 2002, together with the historical core of Stralsund. Wismar has preserved its medieval harbour basin, whereas the island location of Stralsund has remained unchanged since the 13th century. To this day the unmistakable ...Feuchtwangen Old Town
Worth seeing in Feuchtwangen is the historic old town with its marketplace that is described as 'Franconia"s ballroom'. Also worthy of note is the former Benedictine monastery church with its Romanesque cloister, in which the craftsmen"s workshops are housed. Also, a fair amount of the town"s old wall still stands, dating from about 1400. Of the town"s original three gates, only one, the Uppe ...Landskron Castle Ruins
Landskron castle itself was probably built in the early 13th century. Is first mentioned in 1244. This castle was destroyed in 1257 and 1275 by the rebellion Oppenheim citizens. It was rebuilt in 1281. The castle burned down in 1621 during the Thirty Years War. In the Nine Years War, French troops blew up the keep in 1689 to keep. In the following years the citizens used the ruins as a quarry.Schongau Old Town
The important strategic position of Schongau on a defensible hill above the Lech means that it has a very long history of settlement. Finds from the Bronze Age have been made in the area, along with Roman remains. Schongau is surrounded by fortified walls built in the Middle Ages - parts of them can still be walked around - and those fortifications were built to protect the wealth created by its position on the river and ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Quimper Cathedral
From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.
The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.
At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.
The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.
The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.
Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).
The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.
At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».
The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.