Located on the Danube River, the Old Town of Regensburg is an exceptional example of a central-European medieval trading centre, which illustrates an interchange of cultural and architectural influences. The property encompasses the city centre on the south side of the river, two long islands in the Danube, the so-called Wöhrde (from the old German word waird, meaning island or peninsula), and the area of the former charity hospital St Katharina in Stadtamhof, a district incorporated into the city of Regensburg only in 1924. A navigable canal, part of the European waterway of the Rhine-Main-Danube canal, forms the northern boundary of Stadtamhof.
A notable number of buildings of outstanding quality testify to its political, religious, and economic significance from the 9th century. The historic fabric reflects some two millennia of structural continuity and includes ancient Roman, Romanesque, and Gothic buildings. Regensburg's 11th to 13th century architecture still defines the character of the town marked by tall buildings, dark and narrow lanes, and strong fortifications. The buildings include medieval Patrician houses and towers, a large number of churches and monastic ensembles as well as the 12th century Stone Bridge.
The town is also remarkable as a meeting place of Imperial Assemblies and as the seat of the Perpetual Imperial Diet general assemblies until the 19th century. Numerous buildings testify to its history as one of the centres of the Holy Roman Empire, like the Patrician towers, large Romanesque and Gothic church buildings and monasteries – St Emmeram, Alte Kapelle, Niedermünster and St Jakob - as well as the cathedral St Peter and the late Gothic town hall.
The medieval centre of the city is a UNESCO World Heritage Site and a testimony of the city's status as cultural centre of southern Germany in the middle ages. Regensburg is among the top sights and travel attractions in Germany.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.