Located on the Danube River, the Old Town of Regensburg is an exceptional example of a central-European medieval trading centre, which illustrates an interchange of cultural and architectural influences. The property encompasses the city centre on the south side of the river, two long islands in the Danube, the so-called Wöhrde (from the old German word waird, meaning island or peninsula), and the area of the former charity hospital St Katharina in Stadtamhof, a district incorporated into the city of Regensburg only in 1924. A navigable canal, part of the European waterway of the Rhine-Main-Danube canal, forms the northern boundary of Stadtamhof.
A notable number of buildings of outstanding quality testify to its political, religious, and economic significance from the 9th century. The historic fabric reflects some two millennia of structural continuity and includes ancient Roman, Romanesque, and Gothic buildings. Regensburg's 11th to 13th century architecture still defines the character of the town marked by tall buildings, dark and narrow lanes, and strong fortifications. The buildings include medieval Patrician houses and towers, a large number of churches and monastic ensembles as well as the 12th century Stone Bridge.
The town is also remarkable as a meeting place of Imperial Assemblies and as the seat of the Perpetual Imperial Diet general assemblies until the 19th century. Numerous buildings testify to its history as one of the centres of the Holy Roman Empire, like the Patrician towers, large Romanesque and Gothic church buildings and monasteries – St Emmeram, Alte Kapelle, Niedermünster and St Jakob - as well as the cathedral St Peter and the late Gothic town hall.
The medieval centre of the city is a UNESCO World Heritage Site and a testimony of the city's status as cultural centre of southern Germany in the middle ages. Regensburg is among the top sights and travel attractions in Germany.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.