Hanseatic City of Lübeck

Lübeck, Germany

Founded in 1143 on the Baltic coast of northern Germany, Lübeck was from 1230 to 1535 one of the principal cities of the Hanseatic League, a league of merchant cities which came to hold a monopoly over the trade of the Baltic Sea and the North Sea. The plan of the Old Town island of Lübeck, with its blade-like outline determined by two parallel routes of traffic running along the crest of the island, dates back to the beginnings of the city and attests to its expansion as a commercial centre of Northern Europe. To the west, the richest quarters with the trading houses and the homes of the rich merchants are located, and to the east, small commerces and artisans. The very strict socio-economic organization emerges through the singular disposition of the Buden, small workshops set in the back courtyards of the rich hares, to which access was provided through a narrow network of alleyways (Gänge).

Lübeck has remained an urban monument characteristic of a significant historical structure even though the city was severely damaged during the Second World War. Almost 20% of it were destroyed, including the most famous monumental complexes- the Cathedral of Lübeck, the churches of St Peter and St Mary and especially the Gründungsviertel, the hilltop quarter where the gabled houses of the rich merchants clustered. Selective reconstruction has permitted the replacement of the most important churches and monuments.

Omitting the zones that have been entirely reconstructed, the World Heritage site includes three areas of significance in the history of Lübeck. The first area extends from the Burgkloster in the north to the quarter of St Aegidien in the south. The Burgkloster, a Dominican convent built in fulfilment of a vow made at the battle of Bornhöved (1227), contains the original foundations of the castle built by Count Adolf von Schauenburg on the Buku isthmus. The Koberg site preserves an entire late 18th-century neighbourhood built around a public square bordered by two important monuments, the Jakobi Church and the Heilig-Geist-Hospital. The sections between the Glockengiesserstrasse and the Aegidienstrasse retain their original layout and contain a remarkable number of medieval structures.

Between the two large churches that mark its boundaries - the Petri Church to the north and the Cathedral to the south - the second area includes rows of superb Patrician residences from the 15th and 16th centuries. The enclave on the left bank of the Trave, with its salt storehouses and the Holstentor, reinforces the monumental aspect of an area that was entirely renovated at the height of the Hansa epoch (about 1250 to 1400), when Lübeck dominated trade in Northern Europe.

Located at the heart of the medieval city, the third area around St Mary’s Church, the Town Hall, and the Market Square bear the tragic scars of the heavy bombing suffered during the Second World War.

Lübeck city centre has been an UNESCO World Heritage site since 1987.

References:

Comments

Your name

Website (optional)



User Reviews

Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Charlottenburg Palace

Charlottenburg Palace is the largest palace in Berlin and the only surviving royal residence in the city dating back to the time of the Hohenzollern family. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg in what was then the village of Lietzow. Originally named Lietzenburg, the palace was designed by Johann Arnold Nering in baroque style. The inauguration of the palace was celebrated on 11 July 1699, Frederick's 42nd birthday.

Friedrich crowned himself as King Friedrich I in Prussia in 1701 (Friedrich II, known as Frederick the Great, would later achieve the title King of Prussia). Two years previously, he had appointed Johann Friedrich von Eosander (also known as Eosander von Göthe) as the royal architect and sent him to study architectural developments in Italy and France, particularly the Palace of Versailles. On his return in 1702, Eosander began to extend the palace, starting with two side wings to enclose a large courtyard, and the main palace was extended on both sides. Sophie Charlotte died in 1705 and Friedrich named the palace and its estate Charlottenburg in her memory. In the following years, the Orangery was built on the west of the palace and the central area was extended with a large domed tower and a larger vestibule. On top of the dome is a wind vane in the form of a gilded statue representing Fortune designed by Andreas Heidt. The Orangery was originally used to overwinter rare plants. During the summer months, when over 500 orange, citrus and sour orange trees decorated the baroque garden, the Orangery regularly was the gorgeous scene of courtly festivities.

Inside the palace, was a room described as 'the eighth wonder of the world', the Amber Room, a room with its walls surfaced in decorative amber. It was designed by Andreas Schlüter and its construction by the Danish amber craftsman Gottfried Wolfram started in 1701. Friedrich Wilhelm I gave the Amber Room to Tsar Peter the Great as a present in 1716.

When Friedrich I died in 1713, he was succeeded by his son, Friedrich Wilhelm I whose building plans were less ambitious, although he did ensure that the building was properly maintained. Building was resumed after his son Friedrich II (Frederick the Great) came to the throne in 1740. During that year, stables for his personal guard regiment were completed to the south of the Orangery wing and work was started on the east wing. The building of the new wing was supervised by Georg Wenzeslaus von Knobelsdorff, the Superintendent of all the Royal Palaces, who largely followed Eosander's design. The decoration of the exterior was relatively simple but the interior furnishings were lavish. The ground floor was intended for Frederick's wife Elisabeth Christine, who, preferring Schönhausen Palace, was only an occasional visitor. The decoration of the upper floor, which included the White Hall, the Banqueting Hall, the Throne Room and the Golden Gallery, was lavish and was designed mainly by Johann August Nahl. In 1747, a second apartment for the king was prepared in the distant eastern part of the wing. During this time, Sanssouci was being built at Potsdam and once this was completed Frederick was only an occasional visitor to Charlottenburg.

In 1786, Frederick was succeeded by his nephew Friedrich Wilhelm II who transformed five rooms on the ground floor of the east wing into his summer quarters and part of the upper floor into Winter Chambers, although he did not live long enough to use them. His son, Friedrich Wilhelm III came to the throne in 1797 and reigned with his wife, Queen Luise for 43 years. They spent much of this time living in the east wing of Charlottenburg. Their eldest son, Friedrich Wilhelm IV, who reigned from 1840 to 1861, lived in the upper storey of the central palace building. After Friedrich Wilhelm IV died, the only other royal resident of the palace was Friedrich III who reigned for 99 days in 1888.

The palace was badly damaged in 1943 during the Second World War. In 1951, the war-damaged Stadtschloss in East Berlin was demolished and, as the damage to Charlottenburg was at least as serious, it was feared that it would also be demolished. However, following the efforts of Margarete Kühn, the Director of the State Palaces and Gardens, it was rebuilt to its former condition, with gigantic modern ceiling paintings by Hann Trier.

The garden was designed in 1697 in baroque style by Simeon Godeau who had been influenced by André Le Nôtre, designer of the gardens at Versailles. Godeau's design consisted of geometric patterns, with avenues and moats, which separated the garden from its natural surroundings. Beyond the formal gardens was the Carp Pond. Towards the end of the 18th century, a less formal, more natural-looking garden design became fashionable. In 1787 the Royal Gardener Georg Steiner redesigned the garden in the English landscape style for Friedrich Wilhelm II, the work being directed by Peter Joseph Lenné. After the Second World War, the centre of the garden was restored to its previous baroque style.