National symbols of Estonia
St Mary's Cathedral
St Mary’s Cathedral was originally established by Danes on 13th century and it is the oldest church in Tallinn and mainland Estonia. It is also the only building in Toompea which survived a 17th century fire. The first church was made of wood and built there most likely already in 1219 when the Danes invaded Tallinn. In 1229 when the Dominican monks arrived, they started building a stone church replacing the old wooden ...St. Olaf's Church
St. Olaf’s Church (Oleviste kirik) is believed to have been built in the 12th century and to have been the centre for old Tallinn's Scandinavian community prior to the conquest of Tallinn by Denmark in 1219. Its dedication relates to King Olaf II of Norway (a.k.a. Saint Olaf, 995-1030). The first known written records referring to the church date back to 1267, and it was extensively rebuilt during the 14th century. ...Toompea Castle
Toompea Castle is situated on the steep limestone hill in the central part of Tallinn. The first wooden castle is believed to have been built on the hill in either the 10th or 11th century by residents of the ancient Estonian county of Rävala. It was probably one of the first inhabited areas of what later became Tallinn. In 1219, the castle was taken over by Danish crusaders - led by Valdemar II. According to a legen ...Pikk Hermann
Pikk Hermann (Tall Hermann) is a tower of the Toompea Castle. The first part was built 1360-70. It was rebuilt (height brought to 45,6 m) in the 16th century. A staircase with 215 steps leads to the top of the tower. Pikk Hermann tower is situated next to the Estonian Parliament building and the flag on the top of the tower at 95 metres above sea level is one of the symbols of the government in force. The national flag, ...Freedom Square
The Freedom Square ("Vabaduse väljak") is the main square of Tallinn and also the site of the War of Independence Victory Column. The square has had several names during history. The five-meter monument to Peter the Great was erected there by the Russian empire in 1910 and the square was named after him. After the Estonian independence in 1922 the statue was melted and recycled and the square named as the Freedom S ...Tallinn Song Festival Grounds
The Tallinn Song Stage (Lauluväljak) was built in 1959 for the Estonian Song Festival. The stage was meant to hold over 15,000 singers but it’s also possible to use it the other way – the performance will take place in front of the stage and audience is sitting on the stage. The stage was the main places of the Estonian revolution and new independence in 1988-1991. Estonians gathered there to sing patrio ...Hermann Castle
Hermann Castle (also Hermannsburg, Herman Castle, Narva Castle, or Narva fortress) was founded in 1256 by the Danes and the first stone castle was built in the beginning of the 14th century. The German Livonian Teutonic knights order purchased the castle on 29 August 1346 and for most of its history the castle was German Teutonic. Although the exact age of Narva Castle and the town cause still arguments between historian ...Tartu University
The University of Tartu was established by King Gustavus Adolphus of Sweden in 1632, thus being one of the oldest universities in Northern Europe. Over the centuries it has been closed down, moved to Tallinn and re-opened by Baltic Germans. After Estonia became independent in 1918, the University of Tartu has been an Estonian-language institution since 1919. The main building of Tartu University is one of the most outsta ...Kuressaare Castle
Kuressaare Castle from the 14th century is a symbol of Kuressaare and all of Saaremaa island. The convent building at the castle is the only surviving medieval fortified building in the Baltic States without noteworthy architectural alterations. The construction of the stronghold was closely connected with the Estonians' fight against the German feudals. In 1227 the last Estonian county - Saaremaa surrendered to the Germ ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Porta Nigra
The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.
The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.
In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.
In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.
After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.
In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.
In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.