National symbols of Estonia
Toompea Castle
Toompea Castle is situated on the steep limestone hill in the central part of Tallinn. The first wooden castle is believed to have been built on the hill in either the 10th or 11th century by residents of the ancient Estonian county of Rävala. It was probably one of the first inhabited areas of what later became Tallinn. In 1219, the castle was taken over by Danish crusaders - led by Valdemar II. According to a legen ...Tartu University
The University of Tartu was established by King Gustavus Adolphus of Sweden in 1632, thus being one of the oldest universities in Northern Europe. Over the centuries it has been closed down, moved to Tallinn and re-opened by Baltic Germans. After Estonia became independent in 1918, the University of Tartu has been an Estonian-language institution since 1919. The main building of Tartu University is one of the most outsta ...Freedom Square
The Freedom Square ("Vabaduse väljak") is the main square of Tallinn and also the site of the War of Independence Victory Column. The square has had several names during history. The five-meter monument to Peter the Great was erected there by the Russian empire in 1910 and the square was named after him. After the Estonian independence in 1922 the statue was melted and recycled and the square named as the Freedom S ...St Mary's Cathedral
St Mary’s Cathedral was originally established by Danes on 13th century and it is the oldest church in Tallinn and mainland Estonia. It is also the only building in Toompea which survived a 17th century fire. The first church was made of wood and built there most likely already in 1219 when the Danes invaded Tallinn. In 1229 when the Dominican monks arrived, they started building a stone church replacing the old ...Tallinn Song Festival Grounds
The Tallinn Song Stage (Lauluväljak) was built in 1959 for the Estonian Song Festival. The stage was meant to hold over 15,000 singers but it’s also possible to use it the other way – the performance will take place in front of the stage and audience is sitting on the stage. The stage was the main places of the Estonian revolution and new independence in 1988-1991. Estonians gathered there to sing patrio ...Kuressaare Castle
Kuressaare Castle from the 14th century is a symbol of Kuressaare and all of Saaremaa island. The convent building at the castle is the only surviving medieval fortified building in the Baltic States without noteworthy architectural alterations. The construction of the stronghold was closely connected with the Estonians' fight against the German feudals. In 1227 the last Estonian county - Saaremaa surrendered to the Germ ...Pikk Hermann
Pikk Hermann (Tall Hermann) is a tower of the Toompea Castle. The first part was built 1360-70. It was rebuilt (height brought to 45,6 m) in the 16th century. A staircase with 215 steps leads to the top of the tower. Pikk Hermann tower is situated next to the Estonian Parliament building and the flag on the top of the tower at 95 metres above sea level is one of the symbols of the government in force. The national flag, ...St. Olaf's Church
St. Olaf’s Church (Oleviste kirik) is believed to have been built in the 12th century and to have been the centre for old Tallinn's Scandinavian community prior to the conquest of Tallinn by Denmark in 1219. Its dedication relates to King Olaf II of Norway (a.k.a. Saint Olaf, 995-1030). The first known written records referring to the church date back to 1267, and it was extensively rebuilt during the 14th century. ...Hermann Castle
Hermann Castle (also Hermannsburg, Herman Castle, Narva Castle, or Narva fortress) was founded in 1256 by the Danes and the first stone castle was built in the beginning of the 14th century. The German Livonian Teutonic knights order purchased the castle on 29 August 1346 and for most of its history the castle was German Teutonic. Although the exact age of Narva Castle and the town cause still arguments between historian ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Royal Palace of Aranjuez
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
Real Casa del Labrador
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
King's Garden, the Island Garden, Parterre Garden and the Prince's Garden
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.