National symbols of Estonia
St Mary's Cathedral
St Mary’s Cathedral was originally established by Danes on 13th century and it is the oldest church in Tallinn and mainland Estonia. It is also the only building in Toompea which survived a 17th century fire. The first church was made of wood and built there most likely already in 1219 when the Danes invaded Tallinn. In 1229 when the Dominican monks arrived, they started building a stone church replacing the old wooden ...St. Olaf's Church
St. Olaf’s Church (Oleviste kirik) is believed to have been built in the 12th century and to have been the centre for old Tallinn's Scandinavian community prior to the conquest of Tallinn by Denmark in 1219. Its dedication relates to King Olaf II of Norway (a.k.a. Saint Olaf, 995-1030). The first known written records referring to the church date back to 1267, and it was extensively rebuilt during the 14th century. ...Toompea Castle
Toompea Castle is situated on the steep limestone hill in the central part of Tallinn. The first wooden castle is believed to have been built on the hill in either the 10th or 11th century by residents of the ancient Estonian county of Rävala. It was probably one of the first inhabited areas of what later became Tallinn. In 1219, the castle was taken over by Danish crusaders - led by Valdemar II. According to a legen ...Pikk Hermann
Pikk Hermann (Tall Hermann) is a tower of the Toompea Castle. The first part was built 1360-70. It was rebuilt (height brought to 45,6 m) in the 16th century. A staircase with 215 steps leads to the top of the tower. Pikk Hermann tower is situated next to the Estonian Parliament building and the flag on the top of the tower at 95 metres above sea level is one of the symbols of the government in force. The national flag, ...Freedom Square
The Freedom Square ("Vabaduse väljak") is the main square of Tallinn and also the site of the War of Independence Victory Column. The square has had several names during history. The five-meter monument to Peter the Great was erected there by the Russian empire in 1910 and the square was named after him. After the Estonian independence in 1922 the statue was melted and recycled and the square named as the Freedom S ...Tallinn Song Festival Grounds
The Tallinn Song Stage (Lauluväljak) was built in 1959 for the Estonian Song Festival. The stage was meant to hold over 15,000 singers but it’s also possible to use it the other way – the performance will take place in front of the stage and audience is sitting on the stage. The stage was the main places of the Estonian revolution and new independence in 1988-1991. Estonians gathered there to sing patrio ...Hermann Castle
Hermann Castle (also Hermannsburg, Herman Castle, Narva Castle, or Narva fortress) was founded in 1256 by the Danes and the first stone castle was built in the beginning of the 14th century. The German Livonian Teutonic knights order purchased the castle on 29 August 1346 and for most of its history the castle was German Teutonic. Although the exact age of Narva Castle and the town cause still arguments between historian ...Tartu University
The University of Tartu was established by King Gustavus Adolphus of Sweden in 1632, thus being one of the oldest universities in Northern Europe. Over the centuries it has been closed down, moved to Tallinn and re-opened by Baltic Germans. After Estonia became independent in 1918, the University of Tartu has been an Estonian-language institution since 1919. The main building of Tartu University is one of the most outsta ...Kuressaare Castle
Kuressaare Castle from the 14th century is a symbol of Kuressaare and all of Saaremaa island. The convent building at the castle is the only surviving medieval fortified building in the Baltic States without noteworthy architectural alterations. The construction of the stronghold was closely connected with the Estonians' fight against the German feudals. In 1227 the last Estonian county - Saaremaa surrendered to the Germ ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Mosque–Cathedral of Córdoba
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
Architecture
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.