Palaces, manors and town halls in Croatia
Sponza Palace
The rectangular Sponza Palace with an inner courtyard was built in a mixed Gothic and Renaissance style between 1516 and 1522 by Paskoje Miličević Mihov. Its name is derived from the Latin word 'spongia', the spot where rainwater was collected. The loggia and sculptures were crafted by the brothers Andrijić and other stonecutters. The palace has served a variety of public functions, including as a custo ...Rector's Palace
One of the most significant monuments of profane architecture on the Croatian coast is the Rector"s Palace, former administrative centre of the Dubrovnik Republic. Its style is basically Gothic, with the Renaissance and Baroque reconstructions. In the 15th century the Palace was destroyed twice in gunpowder explosions. Restored by Onofrio della Cava in the late Gothic style after the first explosion in 1435, the Pal ...Diocletian's Palace
Considered to be one of the most imposing Roman ruins, Diocletian’s palace is certainly the main attraction of the city of Split. The ruins of palace, built between the late 3rd and the early 4th centuries A.D., can be found throughout the city. Today the remains of the palace are part of the historic core of Split, which in 1979 was listed by UNESCO as a World Heritage Site. While it is referred to as a 'palac ...Pula Communal Palace
The Communal Palace is situated at the northern end of the main square of the old part of the City of Pula, called the Forum Square. The spot occupied by the Palace has been used for the public buildings since Ancient Rome, when the place was used as a part of a triade of Roman temples, of which today only the Temple of Augustus remains. The eastern of these temples, called the Temple of Diana, was used as a rudimenta ...Luznica Manor
It is believed that the Lužnica manor was built at the beginning of the 18th century. Since 1791 the estate was the owned by Rauch noble family. They soon had the manor renovated and further expanded. At the end of 19th century, Marija Jurić Zagorka, lived in the manor from the age of 3 until 10 years, as her father was estate manager for the Rauch family. She later became one of the most prominent Croatian writers of ...Pejacevic Palace
Pejačević Palace one of several castles owned by the members of Pejačević noble family in the croatian region of Slavonia. It was built in 1800-1804 in Classicism and late Baroque style.Novi Dvori
Novi Dvori of Zaprešić is a feudal estate consisting of a manor house, an old granary renovated into a museum, a circular threshing machine, a neo-gothic chapel and the Jelačić family tomb. According to a document dated in 1852, the Novi Dvori manor was first constructed in 1611 as an ordinary one story manor house mostly made of wood. This initial 17th century concept of a manor, consisted of what is today a western ...Eltz Manor
In 1736, Philipp Karl von Eltz-Kempenich (1665–1743), the Archchancellor of the Holy Roman Empire and Prince-Archbishop of Mainz, purchased a Vukovar manor in Syrmia, in the eastern Kingdom of Slavonia, then part of the Habsburg Monarchy ruled by Emperor Charles VI. The palace was originally built between 1749 and 1751 by the Archchancellor"s descendants of the German Catholic noble House of Eltz and ...Pejacevic Palace
Pejačević Castle is one of several country houses owned by the members of the Pejačević noble family in the region of Slavonia. According to the sign located on the, facade above the entrance, the manor was built by count Sigismund Pejačević in 1801, with the actual construction beginning somewhere around 1796. The Retfala Estate was acquired by the Pejačević Counts as a grant by the then Austrian Em ...Featured Historic Landmarks, Sites & Buildings
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Royal Palace of Naples
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.