Palaces, manors and town halls in Croatia
Sponza Palace
The rectangular Sponza Palace with an inner courtyard was built in a mixed Gothic and Renaissance style between 1516 and 1522 by Paskoje Miličević Mihov. Its name is derived from the Latin word 'spongia', the spot where rainwater was collected. The loggia and sculptures were crafted by the brothers Andrijić and other stonecutters. The palace has served a variety of public functions, including as a custo ...Rector's Palace
One of the most significant monuments of profane architecture on the Croatian coast is the Rector"s Palace, former administrative centre of the Dubrovnik Republic. Its style is basically Gothic, with the Renaissance and Baroque reconstructions. In the 15th century the Palace was destroyed twice in gunpowder explosions. Restored by Onofrio della Cava in the late Gothic style after the first explosion in 1435, the Pal ...Diocletian's Palace
Considered to be one of the most imposing Roman ruins, Diocletian’s palace is certainly the main attraction of the city of Split. The ruins of palace, built between the late 3rd and the early 4th centuries A.D., can be found throughout the city. Today the remains of the palace are part of the historic core of Split, which in 1979 was listed by UNESCO as a World Heritage Site. While it is referred to as a 'palac ...Pula Communal Palace
The Communal Palace is situated at the northern end of the main square of the old part of the City of Pula, called the Forum Square. The spot occupied by the Palace has been used for the public buildings since Ancient Rome, when the place was used as a part of a triade of Roman temples, of which today only the Temple of Augustus remains. The eastern of these temples, called the Temple of Diana, was used as a rudimenta ...Luznica Manor
It is believed that the Lužnica manor was built at the beginning of the 18th century. Since 1791 the estate was the owned by Rauch noble family. They soon had the manor renovated and further expanded. At the end of 19th century, Marija Jurić Zagorka, lived in the manor from the age of 3 until 10 years, as her father was estate manager for the Rauch family. She later became one of the most prominent Croatian writers of ...Pejacevic Palace
Pejačević Palace one of several castles owned by the members of Pejačević noble family in the croatian region of Slavonia. It was built in 1800-1804 in Classicism and late Baroque style.Novi Dvori
Novi Dvori of Zaprešić is a feudal estate consisting of a manor house, an old granary renovated into a museum, a circular threshing machine, a neo-gothic chapel and the Jelačić family tomb. According to a document dated in 1852, the Novi Dvori manor was first constructed in 1611 as an ordinary one story manor house mostly made of wood. This initial 17th century concept of a manor, consisted of what is today a western ...Eltz Manor
In 1736, Philipp Karl von Eltz-Kempenich (1665–1743), the Archchancellor of the Holy Roman Empire and Prince-Archbishop of Mainz, purchased a Vukovar manor in Syrmia, in the eastern Kingdom of Slavonia, then part of the Habsburg Monarchy ruled by Emperor Charles VI. The palace was originally built between 1749 and 1751 by the Archchancellor"s descendants of the German Catholic noble House of Eltz and ...Pejacevic Palace
Pejačević Castle is one of several country houses owned by the members of the Pejačević noble family in the region of Slavonia. According to the sign located on the, facade above the entrance, the manor was built by count Sigismund Pejačević in 1801, with the actual construction beginning somewhere around 1796. The Retfala Estate was acquired by the Pejačević Counts as a grant by the then Austrian Em ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Trinity Sergius Lavra
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.