Top historic sites in Gothenburg

Gothenburg Cathedral

Gothenburg Cathedral (Gustavi domkyrka or Göteborgs domkyrka) lies near the heart of the city. The cathedral was built in 1815 and replaced an earlier cathedral built in the 17th century. The architect was Carl Willhelm Carlberg. The cathedral is a fine example of neoclassical architecture. It is one of the top tourist destinations in the city. The Cathedral acts as a venue for a wide range of classical concerts an ...
Founded: 1815 | Location: Gothenburg, Sweden

East India Company House

The old East India Company House (now the City Museum) was once the hub of Sweden's trade with the Far East. Most seafaring nations in the 18th century had an East India company which held a monopoly on trade with the East. Scottish merchants were not part of the lucrative dealings of the English, so Scot Colin Campbell, in association with Niclas Sahlgren in Gothenburg, devised an idea for a Swedish East India Company, w ...
Founded: 1750-1762 | Location: Gothenburg, Sweden

Gustav Adolf Square

Gustaf Adolf's square is a located in central Gothenburg. It was named Stortorget (the Big square) until 1854 when a statue was raised over the founding father of Gothenburg, king Gustavus Adolphus of Sweden. Surrounding the square you can find Gothenburg City Hall, the law court (by Gunnar Asplund), and the main canal of Gothenburg. The City Hall is designed by Bengt Wilhelm Carlberg and completed in 1759. The former st ...
Founded: | Location: Gothenburg, Sweden

Skansen Kronan

Skansen Kronan is a redoubt built in the later half of the 17th century according to the plans of Erik Dahlberg. Skansen Kronan was introduced in 1698 and was fitted with 23 guns. The roof was not completed until 1700. Skansen has 4-5 metre thick walls made of granite, gneiss and diabase. Skansen Kronan was never attacked and the cannons on the inside have never been used. The fortress and the twin counterpart, Skansen L ...
Founded: 1698 | Location: Gothenburg, Sweden

Älvsborg Castle

Älvsborg, also Elfsborg Fortress, is a sea fortress situated on the mouth of the Göta Älv river. It served to protect Sweden's access to the Atlantic Ocean and the nearby settlement of today's Gothenburg and its four predecessors. The fortress was relocated in the 17th century, this New Älvsborg Fortress is still maintained. Of the Old Älvsborg Fortress, only few ruins are visible today in the vicinity of the Carnegi ...
Founded: 1621 | Location: Gothenburg, Sweden

Kronhuset

The old Kronhuset (the Crown House) behind the Gustav Adolf Square is one of the oldest buildings in Gothenburg. It was built in 1642-1654 as a storehouse for military uniforms and other military equipment. Now it is a living craft center in historic buildings. Around Kronhuset is Kronhusbodarna (the Crown House Sheds).The west wing served as carriage storage and warehouse, and was built around 1750 after the previous wo ...
Founded: 1642-1654 | Location: Gothenburg, Sweden

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Monastery of São Vicente de Fora

Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.

The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.

The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.

The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.

The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.

The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.

In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.