The old East India Company House (now the City Museum) was once the hub of Sweden's trade with the Far East. Most seafaring nations in the 18th century had an East India company which held a monopoly on trade with the East. Scottish merchants were not part of the lucrative dealings of the English, so Scot Colin Campbell, in association with Niclas Sahlgren in Gothenburg, devised an idea for a Swedish East India Company, which would be Sweden's first international trading company.
The company started up in 1731, and the next year the first ship set off for the Far East. This made Gothenburg a European centre of trade in products from China and the East. The main goods were silk, tea, furniture, porcelain, precious stones and other distinctive luxury items. Trade with China saw the arrival of some new customs in Sweden. The Chinese cultural influence increased, and tea, rice, arrak punch and new root vegetables started appearing in Swedish homes.Middle and upper class families bought entire porcelain services with their monograms on.The last ship from East Asia arrived in Gothenburg in 1806, by which time the great East India era was already over.
The house of East India Company was built between 1750-1762. Today it hosts the city museum, archaeological museum and etnographic museum.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.