Top historic sites in Saaremaa

Kuressaare Castle

Kuressaare Castle from the 14th century is a symbol of Kuressaare and all of Saaremaa island. The convent building at the castle is the only surviving medieval fortified building in the Baltic States without noteworthy architectural alterations. The construction of the stronghold was closely connected with the Estonians' fight against the German feudals. In 1227 the last Estonian county - Saaremaa surrendered to the Germ ...
Founded: 1260s | Location: Kuressaare, Estonia

The Weighing House

The Weighing House was built in 1660s as a place to keep the public scales, while the central square served as the market place. This is the only building of its type that has survived in Estonia. The main attraction of the small two story limestone building is in the strict symmetry in the architecture and the scaled gable, decorating the façade. The Weighing House was enlarged with a single story building in the ...
Founded: 1660's | Location: Kuressaare, Estonia

St. Mary's Church

The current building of Pöide Church is believed to be built on the remains of a chapel built in 13th century. After the conquest of Saaremaa in 1227, the eastern part of Saaremaa belonged to the Livonian Order, who built a fortress at Pöide as their headquarters during the second half of the 13th century. This fortress was destroyed by the Saaremaa natives during the wave of uprisings against the occupying forc ...
Founded: 13th century | Location: Saaremaa, Estonia

Angla Windmills

There has been a windmill park in Angla about hundred years. Five of the original nine windmills still remain, most of them built in 1920’s. One of them is a Dutch-style windmill with turnable tower.
Founded: 1920's | Location: Saaremaa, Estonia

Karja Church

The towerless Gothic style church of St. Catherine in Karja is the smallest church in Saaremaa island. The church was built in the late 13th or early 14th century. Although small, it is the one of the most beautiful churches in Saaremaa. The architectural design of the church is simple: a two bayed nave, a choir and a vestry. It is the sculptural decor that makes the church a real jewel. Its portals, bosses and vaulting s ...
Founded: 13-14th century | Location: Saaremaa, Estonia

Kaarma Church

The medieval church of Saint Peter and Paul in Kaarma is one of the most interesting sights in Saaremaa island. The building was probably started right after the uprising of Saaremaa inhabitants in 1261. It was a typical church of the Osilia Bishophric - a simple nave with a slightly narrower choir. The steeple was added in the 15th century and thus Kaarma became the first church with a steeple on Saaremaa. The church is ...
Founded: ca. 1261 | Location: Saaremaa, Estonia

Kihelkonna Church

The building of St. Michael’s church in Kihelkonna was probably started in the mid-13th century and completed between 1270-1290. In the early Middle Ages Kihelkonna was one of the most important centers in Saaremaa. It was situated on the road connecting the western part of Saaremaa with mainland Estonia. There was also a harbor of considerable importance here. Both the Bishop and the Livonian Order contributed to t ...
Founded: ca. 1250-1290 | Location: Saaremaa, Estonia

Valjala Church

Saint Martin's Church of Valjala is the oldest church in Estonia. Immediately after the conquest of 1227, a stone chapel was erected by Teutonic knights in Valjala not far from the ancient stronghold. Its walls form the lower part of the present church choir. On the southern side of the chapel, there was a vestry. Soon after completion, the chapel was decorated with murals, the remaining fragments of which may be see ...
Founded: 1227 | Location: Saaremaa, Estonia

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King's Garden, the Island Garden, Parterre Garden and the Prince's Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.