The medieval church of Saint Peter and Paul in Kaarma is one of the most interesting sights in Saaremaa island. The building was probably started right after the uprising of Saaremaa inhabitants in 1261. It was a typical church of the Osilia Bishophric - a simple nave with a slightly narrower choir. The steeple was added in the 15th century and thus Kaarma became the first church with a steeple on Saaremaa.

The church is built on unstable ground and during construction an accident seems to have occurred, and part of it seem to have collapsed. The nave did not acquire its present vaults until the 15th century. The relatively wide nave was divided into two aisles for safety purposes. Sometime prior to the 15th century reconstructions, a room with a fireplace was built above the vestry. This room could serve as a place of refuge for the colonizers from the angry natives of Saaremaa. Later, it became shelter for pilgrims who followed a route that included churches on the island of Gotland and Saaremaa.

The murals on the northern wall of the choir originate from the old church. They depict a painted illusionary window and a scene with St. Christopher. Unfortunately, only the legs seem to have survived. The proceedings were observed by a hermit carrying a lantern.

Many pieces of art have survived in Kaarma church. There is a medieval baptismal font (13th century) and a wooden sculpture of St. Simon of Cyrene (mid-15th century) standing under the pulpit. The pulpit, dating from 1645, is also worth noting. The present Neo-Gothic altarpiece depicts a painting by O. von Moeller of Christ on the Cross. The niches in the altar was formerly filled by medeival carvings of the apostles. These sculptures can now be seen in the Saaremaa Museum in Kuressaare.

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Address

Kaarma 79, Saaremaa, Estonia
See all sites in Saaremaa

Details

Founded: ca. 1261
Category: Religious sites in Estonia
Historical period: Danish and Livonian Order (Estonia)

Rating

4.4/5 (based on Google user reviews)

User Reviews

Jouko Koskelainen (9 months ago)
Historia koskettaa..
J G (9 months ago)
Ongoing renovation for the church, it is nice but nothing special: quite sparse in the outside and onsite. Easy to park and visit , it is a 10 mn visit.
Olavi Sepp (2 years ago)
Vãga heas korras. Infotahvlid. Palju uudistamist.
Heli Illipe-Sootak (6 years ago)
Ilus ja iidne
Anatoly Ko (6 years ago)
Kaarma küla, Kaarma vald, 58.346488, 22.542057 ‎ 58° 20' 47.36", 22° 32' 31.41 Однонефная церковь в Каарма была построена во второй половине 13-го столетия, впоследствии она была перестроена в двухнефную. Церковь украшена орнаментальными и фигуральными фрагментами стенописи в технике секо, которые являются ровесниками первоначальной церкви. Возле кафедры можно увидеть относящуюся к северогерманской школе полихромную деревянную скульптуру "Симон из Кирены" Впервые на Сааремаа применили в церкви Каарма опорные колонны.Восточную стену помещения для хора украшает необычное для Эстонии тройное окно. Образцом кафедры церкви Каарма послужила кафедра церкви в Любеке.
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Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.