Saint Martin's Church of Valjala is the oldest church in Estonia. Immediately after the conquest of 1227, a stone chapel was erected by Teutonic knights in Valjala not far from the ancient stronghold. Its walls form the lower part of the present church choir. On the southern side of the chapel, there was a vestry.
Soon after completion, the chapel was decorated with murals, the remaining fragments of which may be seen on the northern wall of the church (six seated apostles in a Romanesque framing). In 1240 construction of the single-nave church was started. The original chapel was transformed into a choir.
Valjala Church was robbed and partially destroyed during the St. George's Night Uprising in 1343 later reconstructed. In the second half of the 14th century, a new polygonal apse was added to the church. The tower, which is curiously located above the vestry on the southern side of the church, was probably not completed until the 17th century. In the walls of the tower, fragments of archaic trapezoidtombstones can be seen. Archaic tombstones of this type have previously only been found in western Estonia. They might originate from the pre-Conquest period.
The Kuressaare master, Nommen Lorenzen, made the altarpiece in 1820. Besides a medieval baptismal font, other noteworthy antiques inside the church are two Baroque epitaphs (of Andreas Fregius, 1664 and Gaspar Berg, 1667).
In 1888 Gustav Normann built the church's organ. The lightning struck and burned part of the roof in 1922. Dolores Hoffman, who began work on them in the 1970s, made the stained glass windows. They mark the beginning of a new tradition in Estonian stained glass art.
The most impressive elements in the interior design of the church are the high domed vaults with Westphalian ribs and bosses. A ridge in the wall and the remains of girders are evidence of a defense gallery that once ran beneath the windows of the nave. The doorway in the intrados of the chancel arch led to the loft, which served as a refuge.
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.