Saint Martin's Church of Valjala is the oldest church in Estonia. Immediately after the conquest of 1227, a stone chapel was erected by Teutonic knights in Valjala not far from the ancient stronghold. Its walls form the lower part of the present church choir. On the southern side of the chapel, there was a vestry.
Soon after completion, the chapel was decorated with murals, the remaining fragments of which may be seen on the northern wall of the church (six seated apostles in a Romanesque framing). In 1240 construction of the single-nave church was started. The original chapel was transformed into a choir.
Valjala Church was robbed and partially destroyed during the St. George's Night Uprising in 1343 later reconstructed. In the second half of the 14th century, a new polygonal apse was added to the church. The tower, which is curiously located above the vestry on the southern side of the church, was probably not completed until the 17th century. In the walls of the tower, fragments of archaic trapezoidtombstones can be seen. Archaic tombstones of this type have previously only been found in western Estonia. They might originate from the pre-Conquest period.
The Kuressaare master, Nommen Lorenzen, made the altarpiece in 1820. Besides a medieval baptismal font, other noteworthy antiques inside the church are two Baroque epitaphs (of Andreas Fregius, 1664 and Gaspar Berg, 1667).
In 1888 Gustav Normann built the church's organ. The lightning struck and burned part of the roof in 1922. Dolores Hoffman, who began work on them in the 1970s, made the stained glass windows. They mark the beginning of a new tradition in Estonian stained glass art.
The most impressive elements in the interior design of the church are the high domed vaults with Westphalian ribs and bosses. A ridge in the wall and the remains of girders are evidence of a defense gallery that once ran beneath the windows of the nave. The doorway in the intrados of the chancel arch led to the loft, which served as a refuge.
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.