The Hypogeum of Ħal-Saflieni is a subterranean structure dating to the Saflieni phase (3300-3000 BC) in Maltese prehistory. It is often simply referred to as the Hypogeum, literally meaning 'underground' in Greek. The Hypogeum is thought to have been originally a sanctuary, but it became a necropolis in prehistoric times, and in fact, the remains of more than 7,000 individuals have been found. It is the only known prehistoric underground temple in the world. The Hypogeum is UNESCO World Heritage Site.
The Ħal Saflieni Hypogeum is a complex made up of interconnecting rock-cut chambers set on three distinct levels. Earliest remains at the site date back to about 4000BC, and the complex was used over a span of many centuries, up to c. 2500 BC.
The uppermost level consists of a large hollow with burial chambers on its sides. This hollow was probably originally exposed to the sky and excavations in the early 1990s indicate that there might also have been a monumental structure marking the entrance. A doorway leads to the Middle Level, which contains some of the best known features of the Hypogeum such as the intricate red ochre wall paintings and the beautifully carved features in imitation of architectural elements common in contemporaneous Megalithic Temples. The deepest of the three levels is known as the Lower Level, which is accessed down seven steps in the chamber popularly known as the ‘Holy of Holies’.
The Hypogeum was first opened to visitors in 1908 and since then it has been visited by many thousands of people. Unfortunately, this has had a toll on the delicate microclimate of the site which has affected the preservation of the site and the unique red ochre paintings. For this reason, after a conservation project which saw the site closed for 10 years between 1990 and 2000, a new system was established in which only 10 visitors an hour are allowed in for a maximum of 8 hours a day, complemented by an environmental control system which keeps temperature and humidity at required levels.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.