The Hypogeum of Ħal-Saflieni is a subterranean structure dating to the Saflieni phase (3300-3000 BC) in Maltese prehistory. It is often simply referred to as the Hypogeum, literally meaning 'underground' in Greek. The Hypogeum is thought to have been originally a sanctuary, but it became a necropolis in prehistoric times, and in fact, the remains of more than 7,000 individuals have been found. It is the only known prehistoric underground temple in the world. The Hypogeum is UNESCO World Heritage Site.
The Ħal Saflieni Hypogeum is a complex made up of interconnecting rock-cut chambers set on three distinct levels. Earliest remains at the site date back to about 4000BC, and the complex was used over a span of many centuries, up to c. 2500 BC.
The uppermost level consists of a large hollow with burial chambers on its sides. This hollow was probably originally exposed to the sky and excavations in the early 1990s indicate that there might also have been a monumental structure marking the entrance. A doorway leads to the Middle Level, which contains some of the best known features of the Hypogeum such as the intricate red ochre wall paintings and the beautifully carved features in imitation of architectural elements common in contemporaneous Megalithic Temples. The deepest of the three levels is known as the Lower Level, which is accessed down seven steps in the chamber popularly known as the ‘Holy of Holies’.
The Hypogeum was first opened to visitors in 1908 and since then it has been visited by many thousands of people. Unfortunately, this has had a toll on the delicate microclimate of the site which has affected the preservation of the site and the unique red ochre paintings. For this reason, after a conservation project which saw the site closed for 10 years between 1990 and 2000, a new system was established in which only 10 visitors an hour are allowed in for a maximum of 8 hours a day, complemented by an environmental control system which keeps temperature and humidity at required levels.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.