Ġgantija is a Neolithic, megalithic temple complex on the Mediterranean island of Gozo. The Ġgantija temples are the earliest of a series of megalithic temples in Malta (older than the pyramids of Egypt). Their makers erected the two Ġgantija temples during the Neolithic Age (c. 3600–2500 BC), which makes these temples more than 5500 years old and the world"s second oldest manmade religious structures, after Göbekli Tepe in Turkey. Together with other similar structures, these have been designated a UNESCO World Heritage Site, the Megalithic Temples of Malta.
The temples were possibly the site of a Fertility cult; archeologists believe that the numerous figurines and statues found on site are connected with that cult. According to local Gozitan folklore, a giantess who ate nothing but broad beans and honey bore a child from a man of the common people. With the child hanging from her shoulder, built these temples and used them as places of worship.
This megalithic monument is in fact two temples, built side by side and enclosed within a boundary wall. The southerly one is the larger and older, dating back to approximately 3600 BC. It is also better preserved. The plan of the temple incorporates five large apses, with traces of the plaster that once covered the irregular wall still clinging between the blocks.
The temples are built in the typical clover-leaf shape, with inner facing blocks marking the shape which was then filled in with rubble. This led to the construction of a series of semi-circular apses connected with a central passage. Archaeologists believe that the apses were originally covered by roofing. The structures are all the more impressive for having been constructed at a time when no metal tools were available to the natives of the Maltese Islands, and when the wheel had not yet been introduced. Small, spherical stones have been discovered. They are believed to have been used as ball bearings to transport the enormous stone blocks required for the temples" construction.
The temple, like other megalithic sites in Malta, faces southeast. The southern temple rises to a height of six metres. At the entrance sits a large stone block with a recess, which led to the hypothesis that this was a ritual ablution station for purification before entering the complex. The five apses contain various altars; the finding of animal bones in the site suggests the site was used for animal sacrifice.
After the excavations in 1827, the ruins fell into decay. The land was held privately until 1933, when the Government expropriated it for public benefit. The Museums Department conducted extensive archaeological work in 1933, 1936, 1949, 1956–57 and 1958–59. Its goal was to clear, preserve and research the ruins and their surroundings.
The temple and the surrounding areas were restored or rehabilitated in the 2000s. Lightweight walkways were installed in the temple in 2011, while a heritage park was opened in 2013.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.