Mnajdra is a megalithic temple complex built around the fourth millennium BCE; the Megalithic Temples of Malta are among the most ancient religious sites on Earth. In 1992 UNESCO recognized the Mnajdra complex and four other Maltese megalithic structures as UNESCO World Heritage Sites. In 2009 work was completed on a protective tent.
Mnajdra is made of coralline limestone, which is much harder than the soft globigerina limestone of Ħaġar Qim. The main structural systems used in the temples are corbelling with smaller stones, and post-and-lintel construction using large slabs of limestone.
The cloverleaf plan of Mnajdra appears more regular than that of Ħagar Qim, and seems reminiscent of the earlier complex at Ggantija. The prehistoric structure consists of three conjoined but not connected temples: the upper, middle and lower.
The upper temple is the oldest structure in the Mnajdra complex and dates to the Ggantija phase (3600-3200 BC). It is a three-apsed building, the doorway of which is formed by a hole cut into a large piece of limestone set upright, a type of construction typical of other megalithic doorways in Malta. This temple appears originally to have had a vaulted ceiling, but only the base of the ceiling now remain on top of the walls. The pillar-stones were decorated with pitmarks drilled in horizontal rows on the inner surface.
The middle temple was built in the late Tarxien phase (3150 – 2500 BC) and, in fact, is the most recent structure. It is formed of slabs topped by horizontal courses.
The lowest temple, built in the early Tarxien phase, is the most impressive and possibly the best example of Maltese megalithic architecture. It has a large forecourt containing stone benches, an entrance passage covered by horizontal slabs, one of which has survived, and the remains of a possibly domed roof. The temple is decorated with spiral carvings and indentations, and pierced by windows, some into smaller rooms and one onto an arrangement of stones.
The lowest temple is astronomically aligned and thus was probably used as an astronomical observation and/or calendrical site. On the vernal and the autumnal equinox sunlight passes through the main doorway and lights up the major axis. On the solstices sunlight illuminates the edges of megaliths to the left and right of this doorway.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.