Veliki Tabor is a castle and museum in northwest Croatia, dating from the middle of 15th century. The castle's present appearance dates back to the 16th century. Most of the castle was built by the Hungarian noble family of Ráttkay, in whose ownership it remained until 1793.
The oldest part of the fort centre is its central part, the pentagonal castle, whose stylistic characteristics belong to the Late Gothic period. The castle is surrounded by four semi-circular Renaissance towers connected by curtain walls and the walls of the northern entrance part. The fort centre is surrounded by the outer defence wall (the distance from the easternmost to the westernmost points being about 225 metres) with a farm office, a Renaissance bastion, two semi-circular guardhouses (northern and southern), and the quadrangular entrance tower (present only on the archaeological level) through which the access road ran.
In the Middle Ages, Veliki Tabor belonged to Hermann II, Count of Celje. His son Fridrik fell in love with Veronika, a girl from a poor family. Hermann refused to accept a minor noblewoman as his daughter-in-law. He accused her of witchcraft and had her drowned. Frederick's rebellion against Hermann ended with Frederick's imprisonment. Her body was walled up in Veliki Tabor. Veronika’s weeping can still be heard from the castle, according to some stories.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.