Veliki Tabor is a castle and museum in northwest Croatia, dating from the middle of 15th century. The castle's present appearance dates back to the 16th century. Most of the castle was built by the Hungarian noble family of Ráttkay, in whose ownership it remained until 1793.
The oldest part of the fort centre is its central part, the pentagonal castle, whose stylistic characteristics belong to the Late Gothic period. The castle is surrounded by four semi-circular Renaissance towers connected by curtain walls and the walls of the northern entrance part. The fort centre is surrounded by the outer defence wall (the distance from the easternmost to the westernmost points being about 225 metres) with a farm office, a Renaissance bastion, two semi-circular guardhouses (northern and southern), and the quadrangular entrance tower (present only on the archaeological level) through which the access road ran.
In the Middle Ages, Veliki Tabor belonged to Hermann II, Count of Celje. His son Fridrik fell in love with Veronika, a girl from a poor family. Hermann refused to accept a minor noblewoman as his daughter-in-law. He accused her of witchcraft and had her drowned. Frederick's rebellion against Hermann ended with Frederick's imprisonment. Her body was walled up in Veliki Tabor. Veronika’s weeping can still be heard from the castle, according to some stories.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.