Zagreb Cathedral

Zagreb, Croatia

The Zagreb Cathedral is the tallest building in Croatia. It is dedicated to the Assumption of Mary and to kings Saint Stephen and Saint Ladislaus. The cathedral is typically Gothic, as is its sacristy, which is of great architectural value. Its prominent spires are considered to be landmarks as they are visible from most parts of the city.

In 1093 when King Ladislaus (1040-1095) moved the bishop's chair from Sisak to Zagreb, he proclaimed the existing church as a cathedral. Construction on the cathedral started shortly after his death and was finished in 1217 and consecrated by king Andrew II of Hungary. The building was destroyed by the Mongols in 1242 but rebuilt by bishop Timotej (1263-1287) a few years later. At the end of the 15th century, the Ottoman Empire invaded Croatia, triggering the construction of fortification walls around the cathedral, some of which are still intact. In the 17th century, a fortified renaissance watchtower was erected on the south side, and was used as a military observation point, because of the Ottoman threat.

The cathedral was severely damaged in the 1880 Zagreb earthquake. The main nave collapsed and the tower was damaged beyond repair. The restoration of the cathedral in the Neo-Gothic style was led by Hermann Bollé, bringing the cathedral to its present form. As part of that restoration, two spires 108 m high were raised on the western side, both of which are now in the process of being restored as part of an extensive general restoration of the cathedral.

When facing the portal, the building is 46 meters wide and 108 meters high. The cathedral contains a relief of Cardinal Aloysius Stepinac with Christ done by the Croatian sculptor Ivan Meštrović. The cathedral was visited by Pope Benedict XVI on 5 June 2011 where he celebrated Sunday Vespers and prayed before the tomb of Blessed Aloysius Stepinac.

References:

Comments

Your name



Details

Founded: 11th century
Category: Religious sites in Croatia

More Information

en.wikipedia.org

Rating

4.7/5 (based on Google user reviews)

User Reviews

Julian Wong (2 years ago)
One of the biggest church in the old town of Zagreb, it is majestic and grand with a big square in front. It is a working church so do exercise respect when visiting the inside. Definitely must make a stopover if you are in the vicinity. The right tower is currently under renovation but they take the trouble to cover it nicely.
Gerhard Klimeck (2 years ago)
Impressive dome worthwhile seeing. Wandered down from old town and back up. Fun visit despite the heat
Pete Ashmore (2 years ago)
I didn't go inside, but I loved the vibrant market in the square, so colorfull and full I life. Look for the twin spires if you get lost, a great aid to navigating the maze of narrow streets!
Vito Balen (2 years ago)
The Cathedral of Zagreb is one the most famous buildings in the city. It is magnificent, but it's a shame that it's being restored for I don't know how many years now
Dragan Simonovski (2 years ago)
A magical place, full of positive energy. It's in the very centre of the city, so it is easy to come by it. If you are already there, a visit to the flower market near by is obligatory, or is a legendary place.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Heraclea Lyncestis

Heraclea Lyncestis was an ancient Greek city in Macedon, ruled later by the Romans. It was founded by Philip II of Macedon in the middle of the 4th century BC. The city was named in honor of the mythological hero Heracles. The name Lynkestis originates from the name of the ancient kingdom, conquered by Philip, where the city was built.

Heraclea was a strategically important town during the Hellenistic period, as it was at the edge of Macedon"s border with Epirus to the west and Paeonia to the north, until the middle of the 2nd century BC, when the Romans conquered Macedon and destroyed its political power. The main Roman road in the area, Via Egnatia went through Heraclea, and Heraclea was an important stop. The prosperity of the city was maintained mainly due to this road.

The Roman emperor Hadrian built a theatre in the center of the town, on a hill, when many buildings in the Roman province of Macedonia were being restored. It began being used during the reign of Antoninus Pius. Inside the theatre there were three animal cages and in the western part a tunnel. The theatre went out of use during the late 4th century AD, when gladiator fights in the Roman Empire were banned, due to the spread of Christianity, the formulation of the Eastern Roman Empire, and the abandonment of, what was then perceived as, pagan rituals and entertainment.

Late Antiquity and Byzantine periods

In the early Byzantine period (4th to 6th centuries AD) Heraclea was an important episcopal centre. A small and a great basilica, the bishop"s residence, and a funerary basilica and the necropolis are some of the remains of this period. Three naves in the Great Basilica are covered with mosaics of very rich floral and figurative iconography; these well preserved mosaics are often regarded as fine examples of the early Christian art period.

The city was sacked by Ostrogoth/Visigoth forces, commanded by Theodoric the Great in 472 AD and again in 479 AD. It was restored in the late 5th and early 6th century. When an earthquake struck in 518 AD, the inhabitants of Heraclea gradually abandoned the city. Subsequently, at the eve of the 7th century, the Dragovites, a Slavic tribe pushed down from the north by the Avars, settled in the area. The last coin issue dates from ca. 585, which suggests that the city was finally captured by the Slavs. As result, in place of the deserted city theatre several huts were built.

The Episcopacy Residence was excavated between 1970 and 1975. The western part was discovered first and the southern side is near the town wall. The luxury rooms are located in the eastern part. The 2nd, 3rd and 4th rooms all have mosaic floors. Between the 3rd and 4th rooms there is a hole that led to the eastern entrance of the residence. The hole was purposefully created between the 4th and 6th century.