Orsic Castle was built in 1756 by Croatian count Krsto Oršić (1718–1782) on the site of a previous fortress from the Middle Ages and designed in an L-shaped ground plan. From the backyard side, both the wings are open in arcades that follow the line of the corridor, while the outside frontage is quite simple, with rhythmically aligned windows and a few rustic details in the corners.
After a large earthquake in the 19th century, a classicist porch with a tympanum and Doric columns was added to the castle. Inside there is a well-preserved chapel with illusionist murals and an illustrated baroque altar.
Besides this castle, the Oršić family owned a large number of other castles, palaces and estates in Croatia, among which the most significant were castles Gornja Bistra at Zaprešić, Slavetić at Jastrebarsko, Jurketinec at Varaždin and palaces in Zagreb and Varaždin.
The castle was the feudal residence of the Oršić family, until the last members relocated in 1924. A primary school was situated in a part of the castle for some time after that, and a local peasant's cooperative society as well. At the end of the sixties and the beginning of the seventies, the castle was thoroughly renewed and transformed into a Museum of the Peasants' revolt, which deals with a tragic event that occurred in 1573 in this area.
Around the castle there is a park with a huge monument dedicated to the Peasants' revolt and to its leader Matija Gubec, made by a prominent Croatian sculptor Antun Augustinčić.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.