The Tržan Castle is a ruined medieval castle above the village of Modruš. Having been built on a ridge of a steep hill 670 metres above sea level on the eastern slopes of the Velika Kapela mountain, the castle was at a strategic place overlooking the road that connected the Adriatic Sea and the Pannonian Basin since ancient times.
According to the famous Croatian historian Vjekoslav Klaić (1849–1928), a kind of a castle or stronghold most probably existed above Modruš already at the beginning of the 9th century, during a war between Borna, Duke of Dalmatian Croatia, and Ljudevit Posavski, Duke of Pannonian Croatia.
Almost ideal position, dominating over the surrounding area, made Tržan Castle never to be conquered by anyone in its history, although the town of Modruš below the castle was plundered and burned by the Ottomans in 1493, just before the battle of Krbava Field.
From 1193 the castle was property of the Princes of Krk, (later, from around 1430, known as the Frankopans), a distinguished Croatian noble family. Bartol II Krčki was given the whole vast Modruš estate, including the castle, by the Croato-Hungarian king Bella II (III) for his merits in the wars he fought. The next more than 350 years Tržan was owned by the Frankopans as the main seat and stronghold of the family. They reconstructed and enlarged the old, irregular shaped castle, which was from around 1437 called Tržan or Tržan-grad, because of an increased trade that was going on there.
The walls, bastions and towers were built of hewn stone (ashlar) in the fishbone style and represented a kind of masterpiece of the contemporary building skill. There are some signs which indicate that the foreign building masters took part in the works, most probably those from the Republic of Venice. The castle itself consisted of central part with a large guard tower and a palace as residence for members of the princely family with its supporting staff, northern part with outbuildings for economic services, various workshops, warehouses, water tanks and rectangular defending tower, and southern part containing mostly facilities for retail trade, accommodation for traders and travellers etc. Following the walls and bastions of the castle, there were defensive walls, about 1,200 metres long, around the town of Modruš, descending the slope of the hill.
Bernardin Frankopan (1453–1529), the only son of Stjepan III, successfully managed the whole of his property further from the Tržan Castle, although there was increasing threat of the Ottoman raids from the already conquered Bosnian territory, east of Modruš County. This led to decrease of importance of Tržan by the end of the 15th century, and the population of the whole area started to move away more and more from its old places of residence to the other, safer parts of Croatia and neighbouring countries, not willing to live in endangered territory.
In the first half of the 16th century the castle was always less maintained and repaired than needed, and after 1553 came under control of the military authorities of the Croatian Military Frontier. A relatively small military deployment unit was permanently stationed there. After several unsuccessful attempts to renovate or rebuild the more and more severely damaged parts of the castle during the 17th and 18th century, the military authorities decided in 1791 to abandon it. Following the negligible Ottoman danger at that time, they presumed that it was not necessary to keep soldiers in Tržan and it was left to its own destiny, becoming a badly damaged castle ruin today.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.