Bonneval Abbey was founded as a monastery of Cistercian monks in Le Cayrol. Bonneval Abbey was founded in 1147 by Cistercian monks from Mazan Abbey, in Rouergue. Its name means 'good valley', a typical Cistercian name. Bonneval quickly became a rich and powerful abbey, owning extensive estates throughout the country.
In the mid-14th century it suffered from the Black Death and underwent much damage and loss during the Hundred Years' War, as the Rouergue was given to the English in 1360 by the Treaty of Brétigny. Towns and abbeys were looted, and Bonneval, although fortified, was unable to keep out the English troops and the bands of marauding French bandits.
A long period of decadence followed. Nevertheless, Bonneval was chosen in the 17th century to educate novices from every Cistercian abbey in southwest France. During the French Revolution, in 1791, the 13 remaining monks had to leave. The abbey and its goods were sold off, and the buildings subsequently quarried for stone.
In 1875, Trappist nuns came to rebuild the abbey. They also opened a chocolate factory, and installed a turbine on the river to produce electricity. In 1902, they founded what is now known as Bon-Conseil Abbey, in Quebec, Canada.
Today, the community at Bonneval consists of 30 nuns. They still produce a well-known chocolate, but above all they endeavour to fulfill their vocation of prayer.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.