Ourense Provincial Archaeological Museum, Ourense, Spain

The Ourense Provincial Archaeological Museum occupies the building that was the Bishop’s Palace. It is one of the best preserved civil monumental ensembles in Romanesque style, and was declared a Historic-Artistic Monument in 1931. Its structure is a faithful testimony of the development of the city, with Roman, Gothic, Renaissance, Baroque and modern elements. Its construction began in the 12th century and played an important role in the medieval urban organization.

The site was already occupied in Roman times, as evidenced by the discovered building remains, and subsequently by a high-medieval necropolis.

The present building was built in the 12th century, and its main façade is now, after many reforms in the surroundings, a Romanesque courtyard. Over the centuries it underwent modifications and extensions that altered its general appearance. So, the added elements are Gothic (tower of Santa Maria), Renaissance (garden galleries), Baroque (the main entrance) and modern (arcades in Bispo Carrascosa street).

The Archaeological Museum, founded in 1895, finally settled in this building in 1951, undergoing a restoration, according to a project by Pons Sorolla in 1960-1968.

Museums in Spain

User Reviews

Miguel Rodríguez (3 years ago)
Although it is not signposted in one of the doors, the museum can be seen from the back (next to the pools).

Elena Rodríguez García (3 years ago)
It was closed without explanation when, according to the established schedule, it should be open.

Lucas Docampo (3 years ago)
The visit is short and leaves a lot to be desired, very long texts, with hardly any archaeological remains (only four replicas).

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The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.

Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.

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