Santa María de Montederramo's origins seem to have been the old Church of San Juan, which grew into a monastery. It was founded as a Cistercian monastery by Doña Teresa, Alfonso VII´s daughter, in 1142, bringing French nuns from Claraval. Other writers refer to it as Cistercian in the year 1153, when it adopted the worship of St. Mary.
In the year 1528, it joined the Cistercian Congregation, in Spain, with the building´s reconstruction beginning at that time, including the church, with most of the work taking place during the 16th century. The slender church stands on a Latin-cross ground plan, with three aisles in five sections along the main arm; side arms marked on the ground floor, five rectangular chapels, the central the main one. The aisles have Ogival, ribbed vaults, with lunettes and coffering. In the transept, there is a dome over pendentives with cupola. The facade flay and austere. The church was begun in the year 1598, with Juan de Tolosa as master-architect, from the Company of Jesus, and creator of the Hospital of Medina del Campo, in addition to other builders. Construction work ended in the year 1607, inscreibed on the facade.
The monastery has two cloisters, the oldest of which is in evolved Ogival style, square, with five semi-circular arches per side and nine-pointed star-vaults; the upper part has Renaissance and Baroque arches and windows. The second cloister is square, elegant, with four semi-circular arches per side over free-standing Renaissance columns, and sculpted medallions and shields, all dating from the 16th century. It also has a large, monumental stairway down to the church and a fine sacristy.The regular or processional cloister is connected to the church. In the early 1980s this area was rescued from a state of ruin, and once restored it began to be used as a school.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.