The Monastery of San Xulián de Samos is an active Benedictine monastery founded in the sixth century. The monastery was the School of Theology and Philosophy. It is also an important stop on the Way of Saint James, a pilgrimage leading to the shrine of the apostle Saint James the Great.
The foundation is attributed to Martin of Braga. It is known to have been renovated by Saint Fructuoso in the seventh century, although the first written mention of this event is from the year 665. An inscription on the walls of the cloister of the lodge says that it was rebuilt by the Bishop of Lugo Ermefredo. After this restoration it was abandoned before the Muslim invasion until the reconquest of King Fruela I of Asturias, which took place around 760. When, years later, he was assassinated, his widow and son, the future Alfonso II of Asturias, the Chaste, found refuge in the monastery. That earned the monastery royal protection, starting with the properties in a half-mile radius, which would encourage growth.
In the early tenth century, the bishop of Lugo, Don Ero, attempted to seize control and expelled the monks. The Counts Arias Menéndez and Gutierre Menéndez, children of Hermenegildo Menéndez, were required to repopulate the new monastery with monks. Thereafter there were good relations between the monastery and the Count's family.
In the same century it was reoccupied at the behest of King Ordoño II of León and from 960 the community lived under the rule of St. Benedict, but in the twelfth century the Cluniac reform joined with Bishop Don Juan. The monastery of Samos enjoyed great importance during the Middle Ages, which is reflected by its two hundred villas and five hundred sites. In 1558, already incorporated into the Royal San Benito of Valladolid, the monastery suffered a fire that forced its complete rebuilding. The community was dispossessed in 1836, with the confiscation of Mendizabal, but the Benedictine monks returned in 1880.
It suffered another fire in 1951, after which it had to be rebuilt again. There are several architectural styles: late Gothic, Renaissance and Baroque.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.