Castro de Castromaior in Portomarin is one of the most popular archaeological sites in the northwest of the peninsula. In this castro, developed in the Iron Age, it was inhabited between the fourth centuries BC and first century AD until three different populations, until its abandonment with the first Roman approaches. Of him they emphasize his big dimensions, since it counts on an area of approximately 5 hectares, and his good state of conservation.
Between 2006 and 2010 it was the center of archaeological works in order to discover its entire structure, thereby achieving that in 2010 it obtained the title of Cultural Interest. Thanks to this title and being located a few meters from the route that connects the French Way with Santiago de Compostela, it has become one of the most popular locations on the Camino de Santiago.
Like other popular castros, the Castro de Castromaior is located on an elevation since its inhabitants had great visibility to be prepared for enemy attacks. It is distributed by a main enclosure, where homes were concentrated, and different walled platforms located outside. According to experts, the usual houses that formed in castro, were initially made with vegetables, but a fire calcined them and were rebuilt with stone walls. Currently, in the castro the ditches and holes where the posts were located are preserved.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.