Due to its strategic position, the Sobroso castle was known as 'the key of the Kingdom of Galicia'. The name of the Castle, and the village itself, comes from the Latin SUBEROSUM, in reference to the 'sobreiras', Quercus suber or cork trees that once surrounded it.
The oldest reference to Sobroso Castle dates back to 1096. The castle that stands today dates back to the 14th or 15th century construction consisting of 2 enclosures. The outer one is irregular and the entrance is made through a drawbridge, and the inner one is rectangular with its keep on its weakest side.
In the 15th century, Sobroso Castle saw the fight between the Sarmientos and Pedro Madruga, but after that the castle wasn't much active.
The castle was restored from its ruinous state thanks to the efforts of local journalist Alejo Carrera Muñoz, who in 1923 bought the ruins of the castle from the Count of Torre Cedeira. He carried out the restoration work single-handedly, without any help from local authorities, until his death in 1967. In 1981, the neighbouring municipality of Ponteareas purchased the castle from Carrera's only child, Zita Teresa Carrera Ferreira, for 30 million pesetas. From 1995 onwards, the local council began their own restoration work on the castle.
The castle currently houses a cultural and ethnographic museum.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.