The Capela da Virxe Peregrina is a highly unusual building situated in the Praza de Peregrina (square of the pilgrim) in Pontevedra city centre.
This chapel is unique and distinctive and attracts the attention of everyone who sees it. It was built in 1778 and is positioned on the main pilgrim's route that leads to Santiago de Compostela from Portugal.
The chapel is a fusion of Baroque detailing with some neo classical design elements. What makes the structure unique and eye catching is not however its intricate detailing (although there is plenty of that), but its shape and form in plan. The chapel has a ground plan in the shape of the viera (scallop shell), the traditional and long lasting symbol of pilgrims and the pilgrim's route to Santiago de Compostela.
From the outside the chapel looks 'stocky' but it is also strangely narrow and appears to be almost circular. It has a symmetrical appearance with several small windows climbing vertically up its facade and two small towers at it head. The portico is elaborate and has an equally decorative drinking fountain in front of it with a stair either side that takes visitors up to the entrance level, about four feet above the main square.
Inside the Pilgrims chapel there is a neo classical alter that dates from 1789. Its main feature is an image of Pontevedra's patron saint, the virgin pilgrim. The inside of the chapel is extremely small and none but pilgrims entered it when we were there.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.