The Zisa is a castle in the western part of Palermo. It is included in the UNESCO Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale World Heritage Site.
The construction was begun in the 12th century by Arabian craftsmen for king William I of Sicily , and completed by his son William II. The edifice had been conceived as summer residence for the Norman kings, as a part of the large hunting resort known as Genoardo. that included also the Cuba Sottana, the Cuba Soprana and the Uscibene palace.
The Zisa is clearly inspired by Moorish architecture. The name Zisa itself derives from the Arab term al-Azīz, meaning 'dear' or 'splendid'. The same word, in Naskh script, is impressed in the entrance, according to the usual habit for the main Islamic edifices of the time.
In the 14th century merlons were added, by partly destroying the Arab inscription (in Kufic characters) which embellished the upper part of the edifice. More substantial modifications were introduced in the 17th century, when the Zisa, reduced to very poor conditions, was purchased by Giovanni di Sandoval e Platamone. The latter's marble coat of arms with two lions can be seen over the entrance fornix. Several rooms of the interior were modified and others added on the ceiling, a great stair was built, as well as new external windows.
From 1808 to the 1950s the building was used a residence by the princes Notarbartolo di Sciara. Acquired by the Region of Sicilia it was restored in the 1990s. The Zisa today is opened to tourists. Some rooms house Islamic art pieces, tools and artifacts from the Mediterranean area. The most notable room is the central hall, with a mosaic decoration; once it had a fountain too, from which the water flowed outside.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.