The Cathedral of Syracuse (Duomo di Siracusa) origins on this site date to prehistory. The great Greek Temple of Athena was built in the 5th century BC. The temple was a Doric edifice with six columns on the short sides and 14 on the long sides. Plato and Athenaeus mention the temple, and the looting of its ornament is mentioned by Cicero, in 70 BC, as one of the crimes of the governor Verres.
The present cathedral was constructed by Saint Bishop Zosimo of Syracuse in the 7th century. The battered Doric columns of the original temple were incorporated in the walls of the current church. They can be seen inside and out. The building was converted into a mosque in 878, then converted back when Norman Roger I of Sicily retook the city in 1085. The roof of the nave is of Norman origin, as well as the mosaics in the apses.
As part of the increased building activity after the 1693 Sicily earthquake, the cathedral was rebuilt and the façade redesigned by architect Andrea Palma in 1725–1753. The style is classified as High Sicilian Baroque, a relatively late example. The double order of Corinthian columns on the facade provide a classic example of carved Acanthus leaves in the capitals. Sculptor Ignazio Marabitti contributed the full-length statues on the facade.
The interior of the church, a nave and two aisles, combine rustic walls and Baroque details. Features include a font with marble basin dating from the 12th or 13th century, a ciborium (an altar canopy) designed by architect Luigi Vanvitelli, and a statue of the Madonna della Neve by Antonello Gagini (1512).
The cathedral of Syracuse is included in a UNESCO World Heritage Site designated in 2005.References:
The first historical record of Lednice locality dates from 1222. At that time there stood a Gothic fort with courtyard, which was lent by Czech King Václav I to Austrian nobleman Sigfried Sirotek in 1249.
At the end of the 13th century the Liechtensteins, originally from Styria, became holders of all of Lednice and of nearby Mikulov. They gradually acquired land on both sides of the Moravian-Austrian border. Members of the family most often found fame in military service, during the Renaissance they expanded their estates through economic activity. From the middle of the 15th century members of the family occupied the highest offices in the land. However, the family’s position in Moravia really changed under the brothers Karel, Maximilian, and Gundakar of Liechtenstein. Through marriage Karel and Maximilian acquired the great wealth of the old Moravian dynasty of the Černohorskýs of Boskovice. At that time the brothers, like their father and grandfather, were Lutheran, but they soon converted to Catholicism, thus preparing the ground for their rise in politics. Particularly Karel, who served at the court of Emperor Rudolf II, became hetman of Moravia in 1608, and was later raised to princely status by King Matyas II and awarded the Duchy of Opava.
During the revolt of the Czech nobility he stood on the side of the Habsburgs, and took part in the Battle of White Mountain. After the uprising was defeated in 1620 he systematically acquired property confiscated from some of the rebels, and the Liechtensteins became the wealthiest family in Moravia, rising in status above the Žerotíns. Their enormous land holdings brought them great profits, and eventually allowed them to carry out their grandious building projects here in Lednice.
In the 16th century it was probably Hartmann II of Liechtenstein who had the old medieval water castle torn down and replaced with a Renaissance chateau. At the end of the 17th century the chateau was torn down and a Baroque palace was built, with an extensive formal garden, and a massive riding hall designed by Johann Bernard Fischer von Erlach that still stands in almost unaltered form.
In the mid-18th century the chateau was again renovated, and in 1815 its front tracts that had been part of the Baroque chateau were removed.
The chateau as it looks today dates from 1846-1858, when Prince Alois II decided that Vienna was not suitable for entertaining in the summer, and had Lednice rebuilt into a summer palace in the spirit of English Gothic. The hall on the ground floor would serve to entertain the European aristocracy at sumptuous banquets, and was furnished with carved wood ceilings, wooden panelling, and select furniture, surpassing anything of its kind in Europe.