Bellomo Palace Regional Gallery, Syracuse, Italy

Bellomo Palace Regional Gallery is situated in the premises of Bellomo Palace. The origins of the palace have been traced to the 12th century, the time of Hohenstaufen rule of Sicily. The palace still features a number of unusually well-preserved elements from this time. The main facade, as well as the basement and ground floor, still essentially retain the 12th-century appearance of the building.

Alterations were made in the 14th century and on a larger scale during the 15th century, when it belonged to the Bellomo family from which it derives its name. From this period, a number of details such as portals, mullioned windows and the staircase display influences from Catalan Gothic, a style which was popular on Sicily at the time (as Sicily was at the time part of the Crown of Aragon).

In the 18th century the palace and the neighbouring Parisio Palace were taken over by a Benedectine monastery who merged the buildings into one. In 1866 the palace was expropriated by the Italian state and serves as a museum since 1940. A renovation was carried out in 2004-2009.

References:

Wikipedia

Museums in Italy

User Reviews

Stefano Borg Olivier (17 months ago)
Interesting, well displayed artifacts. Definitely worth a visit.

Frans van Avendonk (17 months ago)
Beautiful palace, interesting collection and helpful staff

Roderick de Groot (2 years ago)
A bit boring museum .... Expensive €8 pp and we were out in ten minutes.... but if you like Christ and Maria paintings.... it must be great

jenny derrett (2 years ago)
Hi, we visited this lovely museum today.The ancient building has been expertly renovated and now holds an exceedingly beautiful collection of religious artwork.Although not a fan of such art,this is of the best Renaissance and preRenaissance quality..so enjoyed the faces,textiles, story telling in the context of the airy and spectacular building .(.which like a jewellery box holds captivating sculptures and images..) if you like horror go thick look out for the small but terrifyingly real images of the plague pit! V welcome ing staff too..enjoy ☺

gianfranco silvestri (2 years ago)
In the courtyard of the museum you can watch a couple of middle age gravestones with Jewish fonts: it's the evidence of the tolerance in the Sicilian society during the Arab and Normandy age, when the Jews had the possibility to pray and to show openly their faith and culture

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Les Invalides

Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.

Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.

Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.

Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.

The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.

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