Riga Cathedral is the Protestant cathedral in Riga, Latvia. Built near the River Daugava in 1211 by Livonian Bishop Albert of Riga, it is considered the largest medieval church in the Baltic states. It has undergone many modifications in the course of its history. Certainly one of the most recognisable landmarks in Latvia, the Cathedral is featured in or the subject of paintings, photographs and television travelogues.
At the end of the 14th and beginning of the 15th century, Riga Cathedral was enlarged by building the western cross-nave and side chapels and elevating the side walls of the central nave thus making the church into a basilica. At that time the tower walls were also raised and an octagonal pyramidal spire was added. This tower can be seen in the oldest picture of Riga Cathedral - a Sebastian Munster's cosmography dating back to 1559. According to V.Neimanis, supervisor of Riga Cathedral renovation works in the 19th century, Riga Cathedral Tower was the highest spire in the whole city of Riga at that time.
Riga Cathedral kept its appearance up to 1547, when on a Sunday before Pentecost a great fire broke out in the inner city and the Gothic spire of the cathedral burned down. A new tower with a pyramidal spire and two galleries were built by 1595. Riga Cathedral rooster dating back to that time can still be seen in the Cloister of the Cathedral. During the city siege in 1710, the cathedral roof was seriously damaged. Later during the reconstruction works, the rooves of the side naves were rebuilt, too, by changing their slope and covering up the round rose windows. The choir obtained a Baroque roof and the central nave - its eastern pediment with the year 1727 on it.
In 1772, Russian tsarina Catherine II prohibited further burials in churches in the whole territory of Russian Empire. Following sanitary considerations, the City Council set aside a piece of land for a city cemetery outside the city. Burials from Riga Cathedral were transferred there, as a result of which the floor level of the Cathedral was raised. In 1775, Riga City Council, on the grounds of the conclusions drawn by the engineers of those days, ordered the demolition of part of the tower spire and building the new present-day Baroque tower.
From 1881 to 1914, Riga Cathedral Building section of Riga Society of Researchers of History and Ancient Times carried out major reconstruction and renovation works in the church and the Cloister. As a result of these works, the Cathedral and the Cloister acquired their present-day appearance.
In the 20th century, during the Soviet times, two major reconstruction works took place. From 1959 to 1962, Riga Cathedral was adapted and turned into a concert hall - the altar was dismantled and the seats were installed to face the organ. From 1981 to 1984, a Dutch organ building company carried out a major organ reconstruction. At the same time, the Cathedral interior was renovated and all utilities were reinstalled.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.