Riga Cathedral is the Protestant cathedral in Riga, Latvia. Built near the River Daugava in 1211 by Livonian Bishop Albert of Riga, it is considered the largest medieval church in the Baltic states. It has undergone many modifications in the course of its history. Certainly one of the most recognisable landmarks in Latvia, the Cathedral is featured in or the subject of paintings, photographs and television travelogues.
At the end of the 14th and beginning of the 15th century, Riga Cathedral was enlarged by building the western cross-nave and side chapels and elevating the side walls of the central nave thus making the church into a basilica. At that time the tower walls were also raised and an octagonal pyramidal spire was added. This tower can be seen in the oldest picture of Riga Cathedral - a Sebastian Munster's cosmography dating back to 1559. According to V.Neimanis, supervisor of Riga Cathedral renovation works in the 19th century, Riga Cathedral Tower was the highest spire in the whole city of Riga at that time.
Riga Cathedral kept its appearance up to 1547, when on a Sunday before Pentecost a great fire broke out in the inner city and the Gothic spire of the cathedral burned down. A new tower with a pyramidal spire and two galleries were built by 1595. Riga Cathedral rooster dating back to that time can still be seen in the Cloister of the Cathedral. During the city siege in 1710, the cathedral roof was seriously damaged. Later during the reconstruction works, the rooves of the side naves were rebuilt, too, by changing their slope and covering up the round rose windows. The choir obtained a Baroque roof and the central nave - its eastern pediment with the year 1727 on it.
In 1772, Russian tsarina Catherine II prohibited further burials in churches in the whole territory of Russian Empire. Following sanitary considerations, the City Council set aside a piece of land for a city cemetery outside the city. Burials from Riga Cathedral were transferred there, as a result of which the floor level of the Cathedral was raised. In 1775, Riga City Council, on the grounds of the conclusions drawn by the engineers of those days, ordered the demolition of part of the tower spire and building the new present-day Baroque tower.
From 1881 to 1914, Riga Cathedral Building section of Riga Society of Researchers of History and Ancient Times carried out major reconstruction and renovation works in the church and the Cloister. As a result of these works, the Cathedral and the Cloister acquired their present-day appearance.
In the 20th century, during the Soviet times, two major reconstruction works took place. From 1959 to 1962, Riga Cathedral was adapted and turned into a concert hall - the altar was dismantled and the seats were installed to face the organ. From 1981 to 1984, a Dutch organ building company carried out a major organ reconstruction. At the same time, the Cathedral interior was renovated and all utilities were reinstalled.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.