Riga Cathedral is the Protestant cathedral in Riga, Latvia. Built near the River Daugava in 1211 by Livonian Bishop Albert of Riga, it is considered the largest medieval church in the Baltic states. It has undergone many modifications in the course of its history. Certainly one of the most recognisable landmarks in Latvia, the Cathedral is featured in or the subject of paintings, photographs and television travelogues.
At the end of the 14th and beginning of the 15th century, Riga Cathedral was enlarged by building the western cross-nave and side chapels and elevating the side walls of the central nave thus making the church into a basilica. At that time the tower walls were also raised and an octagonal pyramidal spire was added. This tower can be seen in the oldest picture of Riga Cathedral - a Sebastian Munster's cosmography dating back to 1559. According to V.Neimanis, supervisor of Riga Cathedral renovation works in the 19th century, Riga Cathedral Tower was the highest spire in the whole city of Riga at that time.
Riga Cathedral kept its appearance up to 1547, when on a Sunday before Pentecost a great fire broke out in the inner city and the Gothic spire of the cathedral burned down. A new tower with a pyramidal spire and two galleries were built by 1595. Riga Cathedral rooster dating back to that time can still be seen in the Cloister of the Cathedral. During the city siege in 1710, the cathedral roof was seriously damaged. Later during the reconstruction works, the rooves of the side naves were rebuilt, too, by changing their slope and covering up the round rose windows. The choir obtained a Baroque roof and the central nave - its eastern pediment with the year 1727 on it.
In 1772, Russian tsarina Catherine II prohibited further burials in churches in the whole territory of Russian Empire. Following sanitary considerations, the City Council set aside a piece of land for a city cemetery outside the city. Burials from Riga Cathedral were transferred there, as a result of which the floor level of the Cathedral was raised. In 1775, Riga City Council, on the grounds of the conclusions drawn by the engineers of those days, ordered the demolition of part of the tower spire and building the new present-day Baroque tower.
From 1881 to 1914, Riga Cathedral Building section of Riga Society of Researchers of History and Ancient Times carried out major reconstruction and renovation works in the church and the Cloister. As a result of these works, the Cathedral and the Cloister acquired their present-day appearance.
In the 20th century, during the Soviet times, two major reconstruction works took place. From 1959 to 1962, Riga Cathedral was adapted and turned into a concert hall - the altar was dismantled and the seats were installed to face the organ. From 1981 to 1984, a Dutch organ building company carried out a major organ reconstruction. At the same time, the Cathedral interior was renovated and all utilities were reinstalled.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.