First record of the St. Peter's Church dates back to 1209. The church was a masonry construction and therefore undamaged by a city fire in Riga that year. The history of the church can be divided into three distinct periods: two associated with Gothic and Romanesque building styles, the third with the early Baroque period. The middle section of the church was built during the 13th century, which encompasses the first period. The only remnants of this period are located in the outer nave walls and on the inside of a few pillars in the nave, around which larger pillars were later built.
The second period dates to 15th century, when master builders Johannes Rumeschottel from Rostock supervised the construction of the sanctuary, based on the St. Mary's Church in Rostock. The old bell tower was replaced in 1456, and a bell was hung in the new tower in 1477. A 136 metres (446 ft) octagonal steeple was added to the tower in 1491, which, along with the church's front facade, dominated the silhouette of Riga. The tower collapsed 11 March 1666, destroying a neighboring building and burying eight people in the rubble.
Three identical portals by Bindenshu and Andreas Peterman were added in 1692. The third period of construction dates to 1671–90. The newly renovated church served for a mere 29 years, for lightning struck and set fire to the tower and church 10 May 1721. Only the church and tower walls remained standing after the fire. Reconstruction of the church began immediately under the direction of the master carpenter Tom Bochum and master mason Kristofer Meinert. By 1723 the building already had a temporary roof. Johann Heinrich Wilbern took over supervision of the project in 1740, and under his direction a new 69.6 metres steeple was built in 1746.
The church burned down 29 June 1941. Conservation and restoration began 1954 with research by architect Pēteris Saulītis. The work was carried out from 1967 to 1983 under the direction of Saulītis and architect Gunārs Zirnis. The St. Peter's Latvian Lutheran congregation resumed services in the church 1991, and the church was returned to the ownership of the Evangelical Lutheran Church of Latvia on 4 April 2006.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.