Top Historic Sites in Riga

House of Blackheads

House of the Blackheads (Melngalvju nams) is a building situated in the old town of Riga. The original building was erected during the first third of the 14th century for the Brotherhood of Blackheads, a guild for unmarried German merchants in Riga. Major works were done in the years 1580 and 1886, adding most of the ornaments. The structure was bombed to a ruin by the Germans June 28, 1941 and the remains demolished by ...
Founded: ca. 1334 | Location: Riga, Latvia

St. Peter's Church

First record of the St. Peter's Church dates back to 1209. The church was a masonry construction and therefore undamaged by a city fire in Riga that year. The history of the church can be divided into three distinct periods: two associated with Gothic and Romanesque building styles, the third with the early Baroque period. The middle section of the church was built during the 13th century, which encompasses the first peri ...
Founded: 1209 | Location: Riga, Latvia

Riga Old Town

Riga Old Town (Vecrīga) is the historical center of Riga, Latvia, located on the east side of Daugava River. Vecrīga is famous for its old churches and cathedrals, such as Riga Cathedral and St. Peter's church. Vecrīga is the original area of Riga and consists of the historic city limits before the city was greatly expanded over the years. In the old days, Vecrīga was protected by a surrounding wall e ...
Founded: 13th century | Location: Riga, Latvia

Riga Castle

Riga Castle (Rīgas pils) is a castle on the banks of River Daugava. The castle was founded in 1330. This structure was thoroughly rebuilt between 1497 and 1515. Upon the castle's seizure by the Swedes, they constructed spacious annexes in 1641. The fortress was continually augmented and reconstructed between the 17th and 19th centuries. Sometime in the 1930s, some renovation work was done by architect Eižens Laube. ...
Founded: 1497-1515 | Location: Riga, Latvia

Riga Cathedral

Riga Cathedral is the Protestant cathedral in Riga, Latvia. Built near the River Daugava in 1211 by Livonian Bishop Albert of Riga, it is considered the largest medieval church in the Baltic states. It has undergone many modifications in the course of its history. Certainly one of the most recognisable landmarks in Latvia, the Cathedral is featured in or the subject of paintings, photographs and television travelogues. A ...
Founded: 1211 | Location: Riga, Latvia

Museum of the Occupation of Latvia

Museum of the Occupation of Latvia 1940-1991 (Latvijas okupācijas muzejs) is an historic educational institution. It was established in 1993 to exhibit artifacts, archive documents, and educate the public about the 51-year period in the 20th century when Latvia was successively occupied by the USSR in 1940, then by Nazi Germany in 1941, and then again by the USSR in 1944. The museum's stated mission is to show what ...
Founded: 1971 | Location: Riga, Latvia

The Freedom Monument

The Freedom Monument if a symbol of independent Latvia. From the moment Latvia acquires its independence a search for a suitable artistic solution started and donations were gathered. The monument was built in 1931-35, its author was a well-known latvian architect Karlis Zale. The statue of Liberty (sculpturer R. Mirsmeden) holds three stars - the symbols of historical areas in Latvia: Kurzeme, Vidzeme, Latgale. The pede ...
Founded: 1931-1935 | Location: Riga, Latvia

St. John's Church

St. John's Church was built in the 13th century, probably between 1234-1297. It was originally home of the Dominican monks, but over the centuries fell into the possession of the Lutherans. It has also served as an arsenal for the city. The most notable features of this unheralded church are the impressive 15th century sculptures of St. Peter and St. Paul which adorn the the 18th century altar. According the legend two m ...
Founded: 13th century | Location: Riga, Latvia

St. James's Cathedral

St. James's Cathedral, or the Cathedral Basilica of St. James is dedicated to Saint James the Greater. It is frequently referred to by the name St. Jacob because Latvian, like many other languages, uses the same name for James and Jacob. The church building was dedicated in 1225. It was not originally a cathedral since the Rīgas Doms served that function. At the beginning of the 15th century the Holy Cross Chapel wa ...
Founded: 1225 | Location: Riga, Latvia

Nativity of Christ Cathedral

The Nativity of Christ Cathedral (Kristus Piedzimšanas pareizticīgo katedrāle) was built to a design by Nikolai Chagin in a Neo-Byzantine style between 1876 and 1883, during the period when the country was part of the Russian Empire. It is the largest Orthodox cathedral in the Baltic provinces built with the blessing of the Russian Tsar Alexander II on the initiative of local governor-general Pyotr Bagrat ...
Founded: 1876-1883 | Location: Riga, Latvia

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Monastery of São Vicente de Fora

Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.

The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.

The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.

The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.

The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.

The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.

In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.