Santa Lucia del Mela Castle

Santa Lucia del Mela, Italy

The peak of Santa Lucia del Mela was an important military outpost. On the remains of the former city walls the Byzantines built a fort, subsequently rebuilt by the Arabs between 837 and 851. Frederick II of Aragon fortified the town with walls and renovated its castle. The castle was left to decay in the 17th century, but has been restored later.

Comments

Your name



Details

Founded: 11th century
Category: Castles and fortifications in Italy

Rating

4.5/5 (based on Google user reviews)

User Reviews

Nicola D. (5 months ago)
Spectacular view of Milazzo, the Aeolian islands and the Mela valley. Behind the landscape is almost dolomitic.
Maddi Di Ronza (12 months ago)
Beautiful place, I recommend to those who go on holiday to Milazzo to spend there.
Salieu Njie (2 years ago)
Amazing
Antonio Ravidà (2 years ago)
Fantastic panorama .. I add a night photo taken from the sanctuary of the Madonna della Neve / castle of Santa Lucia on 04 08 2019 on the occasion of the patronal festival of the village.
Simone Cerniglia (2 years ago)
Breathtaking panorama. You can see all of milazzo and the port and on the clearest days you can also see the islands. What can I say ... the signs are really easy to reach. Also to be seen with snow and the fog that touches the ground is beautiful to see. It also has its impact at night
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Palazzo Colonna

The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.

Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.