Pejačević Castle is one of several country houses owned by the members of the Pejačević noble family in the region of Slavonia.
According to the sign located on the, facade above the entrance, the manor was built by count Sigismund Pejačević in 1801, with the actual construction beginning somewhere around 1796.
The Retfala Estate was acquired by the Pejačević Counts as a grant by the then Austrian Empress and Croatian-Hungarian Queen Maria Theresa in 1750. In the beginning it started out as a relatively small estate.
The refined classical manor is composed of three wings shaped in the form of the letter U. The internal space is organised around a central hallway with rooms aligned on either side. The central axis is highlighted by the grand hall and atrium within the great pavilion.
The central pavilion is raised on the first floor, whilst the remaining part of the manor, complete with its lateral wings, is at ground level.
At ground level, the pavilion is articulated by arcades and a great series of ionic pilasters, which was originally covered by a mansard roof, as was the remainder of the building. The manor is separated from the street by a triumphal entrance made from wrought iron railings. Despite the identity of the architect not being known, the manor is regarded as a significant work of classical architecture within Croatia.
Close to the vicinity of the manor at the Retfala Cemetery, the Pejačević Family chapel-mausoleum dates from the year 1891.
Previously set amongst a large pleasure garden, the manor is now in a neglected and decrepit state. Once a part of the pleasure garden which stretched all around the manor, the mausoleum set within the contemporary Retfala Cemetery shares the same fate.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.