Built between the late 1200s and the early 1300s, the Palazzo Duchi di Santo Stefano (Palace of the Dukes of Santo Stefano) was part of the medieval walls of Taormina. It is a masterpiece of Sicilian Romaneque and Gotic style, fitted with Arabic-Norman elements.
The building has a beautiful garden in front of its main facades, where there is still a well for the collection of rain-water which was the water supply for the whole palace.
The Palazzo dei Duchi di Santo Stefano is made up of three square overlapping sections. The entrance to the ground floor is an ogival arch constructed with squared bricks of black basalt (lavic stone) and white granite (Taormina stone). On the second floor there are four beautiful windows , two facing east and two facing north. The four mullioned windows have an elaborate structure with rosettes and small trilobe arches as well as triple cordons framing the ogival arches. On the top part of the palace a wide frieze runs along the east and north facades formed by a wavy decoration in lavic stone alternated with rhombus-shaped inlays in white Siracusa stone, together forming a magnificent lace of marquetry.
The palace was the residence of the spanish noble family De Spuches, dukes of Santo Stefano and Princes of Galati.
During the second world war it was damaged in large parts, yet it was completly restored in the 1960s after that the Municipality of Taormina bought it from Vincenzo De Spuches, a young descendant of the De Spuches family.
The Palace today houses the Fondazione G. Mazzullo. Many of the sculptures of Giuseppe Mazzullo are on show in the Palace.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.